{"id":9526,"date":"2022-06-09T13:00:52","date_gmt":"2022-06-09T13:00:52","guid":{"rendered":"https:\/\/www.africa-press.net\/angola\/all-news\/growth-of-angolan-dramaturgy-in-debate"},"modified":"2022-06-09T16:30:49","modified_gmt":"2022-06-09T16:30:49","slug":"growth-of-angolan-dramaturgy-in-debate","status":"publish","type":"post","link":"https:\/\/www.africa-press.net\/angola\/all-news\/growth-of-angolan-dramaturgy-in-debate","title":{"rendered":"Growth of Angolan dramaturgy in debate"},"content":{"rendered":"<p><span style=\"color: #ff6600\"><strong>Africa-Press &#8211; Angola. <\/strong><\/span><b>The implementation of new work methodologies in the performing arts, in particular in the theater, in recent years in the country, will be the focus of the workshop &#8220;Actor Preparation Techniques&#8221;, to be presented, Friday (10), at 14:00, by the Angolan playwright Tony Framp\u00eanio, at the International Winter Theater Festival (FITI), which ends on Sunday in Maputo.<\/b><\/p>\n<p>Tony Framp\u00eanio highlighted that he is preparing a dissertation based on the dynamics that have been registered in Angolan theater, from the incorporation of folklore in theater, satirization and dramatology in the production of plays. .<\/p>\n<p>During the workshop, he said, he intends to reflect with actors from Mozambican, South African, Brazilian and Portuguese groups and companies, on the incorporation of animals in the plays, as well as the sound in the production of theater works in Angola.<\/p>\n<p>During his stay, he explained, he will take the opportunity to promote the books &#8220;A Raiva&#8221;, &#8220;A Grande Quest\u00e3o&#8221; and &#8220;Teatro da Tarimba&#8221;, which will be sold in Mozambique during the FITI. field of the performing arts, in particular theatre\u201d.<\/p>\n<p>Born in Cuanza-Sul, Tony Framp\u00eanio is a director and researcher, with a degree in Theater from the Instituto Superior de Artes (ISART), and a Master&#8217;s in Portuguese Literature at the Instituto Superior de Ci\u00eancias da Educa\u00e7\u00e3o in Luanda.<\/p>\n<p>In theater since 1992, he has performed in the groups Twa Futuca, Makotes and Komba Meneck. He is currently a member of the Enigma group and lecturer in Acting, Theater History and Aesthetics, at the Complexo das Escolas de Artes (CEART) and also at the Instituto Superior de Artes (ISART). In addition, he is also the technical coordinator of the International Theater Circuit (CIT).<\/p>\n<p>With the Enigma Teatro group, he received, in 2012, the National Prize for Culture and Arts. There are 23 works adapted for the theater on the market, with emphasis on &#8220;A Grande Quest\u00e3o&#8221;, &#8220;A Raiva&#8221; and &#8220;H\u00e1 Mar&#8230; H\u00e1 Terra&#8221;.<\/p>\n<p><strong>For More News And Analysis About <a href=\"https:\/\/www.africa-press.net\/angola\">Angola<\/a> Follow <a href=\"https:\/\/www.africa-press.net\/\">Africa-Press<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Africa-Press &#8211; Angola. The implementation of new work methodologies in the performing arts, in particular in the theater, in recent years in the country, will be the focus of the workshop &#8220;Actor Preparation Techniques&#8221;, to be presented, Friday (10), at 14:00, by the Angolan playwright Tony Framp\u00eanio, at the International Winter Theater Festival (FITI), which [&hellip;]<\/p>\n","protected":false},"author":84,"featured_media":9525,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,4,8,16],"tags":[233,337,329],"class_list":["post-9526","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-all-news","category-culture-and-art","category-homepage-english","category-twitter","tag-africa-press","tag-africa-press-angola","tag-angola"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.1 (Yoast SEO v27.0) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Growth of Angolan dramaturgy in debate - Angola<\/title>\n<meta name=\"description\" content=\"The implementation of new work methodologies in the performing arts, in particular in the theater, in recent years in ...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.africa-press.net\/angola\/all-news\/growth-of-angolan-dramaturgy-in-debate\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Growth of Angolan dramaturgy in debate\" \/>\n<meta property=\"og:description\" content=\"The implementation of new work methodologies in the performing arts, in particular in the theater, in recent years in ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.africa-press.net\/angola\/all-news\/growth-of-angolan-dramaturgy-in-debate\" \/>\n<meta property=\"og:site_name\" content=\"Angola\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/AfricaPressTunisiaa\" \/>\n<meta property=\"article:published_time\" content=\"2022-06-09T13:00:52+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-06-09T16:30:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/static.africa-press.net\/angola\/sites\/65\/2022\/06\/postQueueImg_15-62a22024321ba.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"620\" \/>\n\t<meta property=\"og:image:height\" content=\"355\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"cfeditoren\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"cfeditoren\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.africa-press.net\/angola\/all-news\/growth-of-angolan-dramaturgy-in-debate#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.africa-press.net\/angola\/all-news\/growth-of-angolan-dramaturgy-in-debate\"},\"author\":{\"name\":\"cfeditoren\",\"@id\":\"https:\/\/www.africa-press.net\/angola\/#\/schema\/person\/068c7ab4e9634ae78ec5d54ec46598bb\"},\"headline\":\"Growth of Angolan dramaturgy in debate\",\"datePublished\":\"2022-06-09T13:00:52+00:00\",\"dateModified\":\"2022-06-09T16:30:49+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.africa-press.net\/angola\/all-news\/growth-of-angolan-dramaturgy-in-debate\"},\"wordCount\":337,\"commentCount\":0,\"image\":{\"@id\":\"https:\/\/www.africa-press.net\/angola\/all-news\/growth-of-angolan-dramaturgy-in-debate#primaryimage\"},\"thumbnailUrl\":\"https:\/\/static.africa-press.net\/angola\/sites\/65\/2022\/06\/postQueueImg_15-62a22024321ba.jpg\",\"keywords\":[\"Africa Press\",\"Africa Press-Angola\",\"Angola\"],\"articleSection\":[\"all news\",\"culture and art\",\"homepage-english\",\"twitter\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.africa-press.net\/angola\/all-news\/growth-of-angolan-dramaturgy-in-debate#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.africa-press.net\/angola\/all-news\/growth-of-angolan-dramaturgy-in-debate\",\"url\":\"https:\/\/www.africa-press.net\/angola\/all-news\/growth-of-angolan-dramaturgy-in-debate\",\"name\":\"Growth of Angolan dramaturgy in debate - 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