{"id":23249,"date":"2021-10-23T15:27:45","date_gmt":"2021-10-23T15:27:45","guid":{"rendered":"https:\/\/www.africa-press.net\/burkina-faso\/?p=23249"},"modified":"2021-10-25T18:50:44","modified_gmt":"2021-10-25T18:50:44","slug":"au-burkina-faso-lode-a-la-resilience-du-cineaste-seidou-samba-toure","status":"publish","type":"post","link":"https:\/\/www.africa-press.net\/burkina-faso\/culture-et-art\/au-burkina-faso-lode-a-la-resilience-du-cineaste-seidou-samba-toure","title":{"rendered":"l\u2019ode \u00e0 la r\u00e9silience du cin\u00e9aste Seidou Samba Tour\u00e9"},"content":{"rendered":"

Africa-Press – Burkina Faso. <\/strong><\/span>Les paysages d\u00e9filent, majestueux. Les dunes de sable dor\u00e9, la colline blanche de Tondikara, les h\u00e9rons cendr\u00e9s de la mare d\u2019Oursi et la petite ville de Gorom-Gorom, aux portes du d\u00e9sert du Sahara. Des images rares de cette r\u00e9gion du nord du Burkina Faso rong\u00e9e par les violences djihadistes. Le r\u00e9alisateur Seidou Samba Tour\u00e9 a pu filmer ses terres natales, en \u00ab zone rouge \u00bb, sillonnant les routes \u00e0 moto, un petit cam\u00e9scope cach\u00e9 dans son sac, avant qu\u2019il ne soit \u00ab trop tard \u00bb. \u00ab Aujourd\u2019hui ce film aurait \u00e9t\u00e9 impossible \u00bb, indique le jeune cin\u00e9aste originaire de Gorom-Gorom, dans la zone dite \u00ab des trois fronti\u00e8res \u00bb, pr\u00e8s du Mali et du Niger, o\u00f9 se sont r\u00e9fugi\u00e9s plus de 30 000 d\u00e9plac\u00e9s fuyant les violences des groupes terroristes.<\/p>\n

Seidou Samba Tour\u00e9 est l\u2019un des rares cin\u00e9astes burkinab\u00e9s \u00e0 avoir r\u00e9alis\u00e9 un documentaire sur la crise s\u00e9curitaire qui mine son pays depuis six ans. Son premier long-m\u00e9trage, Massiiba, le mal d\u2019un peuple, est une ode \u00e0 la r\u00e9silience des populations de la r\u00e9gion burkinab\u00e9e du Sahel. Sa cam\u00e9ra, son arme de poing face \u00e0 l\u2019extr\u00e9misme violent. Le film, d\u2019une dur\u00e9e de 62 minutes, a \u00e9t\u00e9 s\u00e9lectionn\u00e9 dans la \u00ab section Burkina \u00bb, une nouvelle cat\u00e9gorie r\u00e9compensant les meilleures productions nationales cette ann\u00e9e \u00e0 la 27e \u00e9dition du Festival panafricain du cin\u00e9ma et de la t\u00e9l\u00e9vision de Ouagadougou (Fespaco), qui s\u2019est tenu du 16 au 23 octobre.<\/p>\n

Massiiba<\/b><\/p>\n

est imagin\u00e9 comme une lettre adress\u00e9e \u00e0 Boukari, son ami d\u2019enfance, avec lequel il parcourait les pistes rouges du Sahel \u00e0 bord du camion de son p\u00e8re routier. Boukari, devenu chauffeur \u00e0 son tour, devait \u00eatre l\u2019un des personnages principaux du documentaire. Mais en 2018, le jeune homme a \u00e9t\u00e9 enlev\u00e9, apr\u00e8s une attaque, alors qu\u2019il partait ravitailler la ville d\u2019Arbinda (nord). Depuis, plus rien. Nul ne sait s\u2019il est mort ou vivant. \u00ab Cher Boukari, si seulement tu pouvais nous dire o\u00f9 tu es ? \u00bb, interroge le r\u00e9alisateur en voix off.<\/p>\n

Carnet de voyage en terre oubli\u00e9e<\/b><\/p>\n

C\u2019est \u00e0 ce Boukari absent, dont on ne voit jamais de photo, que Seidou Samba Tour\u00e9 destine son carnet de voyage en terre oubli\u00e9e. Il raconte leur Gorom-Gorom \u00ab d\u2019avant \u00bb et son march\u00e9 grouillant de commer\u00e7ants et d\u2019artisans de la r\u00e9gion, peuls, touaregs, songha\u00ef. Oursi, la cit\u00e9 du d\u00e9sert, o\u00f9 affluaient des dizaines de touristes \u00e9trangers chaque jour, venus se balader \u00e0 dos de dromadaire et dormir \u00e0 la belle \u00e9toile. Un autre temps, r\u00e9volu, qui a laiss\u00e9 place \u00e0 un champ de ruines, d\u2019\u00e9coles et de maisons br\u00fbl\u00e9es par les groupes arm\u00e9s.<\/p>\n

Dans Massiiba, Seidou Samba Tour\u00e9 donne la parole au guide du mus\u00e9e d\u2019Oursi, qui continue de veiller sur les vestiges d\u2019une case du Xe si\u00e8cle malgr\u00e9 la visite du dernier touriste \u00ab en 2012 \u00bb, au d\u00e9but de la crise au Mali voisin. A cette enseignante, contrainte de fermer les portes de son \u00e9tablissement suite aux menaces des djihadistes. Ou encore \u00e0 cette vieille femme \u00e0 moiti\u00e9 aveugle, oblig\u00e9e de fuir en charrette apr\u00e8s l\u2019attaque de son village et qui a \u00ab tout perdu \u00bb, ses animaux, son mil, ses marmites. \u00ab J\u2019ai 90 ans et je n\u2019ai jamais v\u00e9cu un tel malheur [\u00ab massiiba \u00bb en arabe] \u00bb, souffle-t-elle.<\/p>\n

Des terroristes \u2013 ces \u00ab ma\u00eetres de la brousse \u00bb, comme les appelle le r\u00e9alisateur \u2013, on ne verra aucun visage, aucune trace. Seuls restent les \u00e9chos des derni\u00e8res tueries et de leurs fant\u00f4mes, ces d\u00e9plac\u00e9s fuyant toujours plus au sud. Au fil du film, l\u2019\u00e9tau se resserre au rythme de l\u2019actualit\u00e9. Le tournage, commenc\u00e9 en 2016 et termin\u00e9 en 2020, a \u00e9t\u00e9 de plus en plus risqu\u00e9. \u00ab J\u2019ai eu peur, plusieurs fois j\u2019ai d\u00fb arr\u00eater \u00e0 cause d\u2019alertes d\u2019attaques \u00bb, raconte Seidou Samba Tour\u00e9, qui a pr\u00e9f\u00e9r\u00e9 filmer discr\u00e8tement, craignant d\u2019\u00eatre \u00ab pris pour cible par les terroristes ou les forces de s\u00e9curit\u00e9 \u00bb.<\/p>\n

\u00ab C\u2019est \u00e0 nous de raconter notre histoire \u00bb<\/b><\/p>\n

Mais pour ce cin\u00e9aste engag\u00e9, il fallait porter la voix de \u00ab ceux qui r\u00e9sistent \u00bb, peu importe le danger. \u00ab C\u2019est chez moi. Les Ouagalais disent que la zone est trop dangereuse, qui d\u2019autre aurait voulu faire ce film sinon ? \u00bb, r\u00e9torque le Burkinab\u00e9, form\u00e9 au documentaire en 2015 gr\u00e2ce au projet \u00ab Countering Violence Extremism \u00bb de l\u2019ambassade des Etats-Unis \u00e0 Ouagadougou. Au total, il a collect\u00e9 plus de 500 heures d\u2019images, dont environ 200 heures de t\u00e9moignages. \u00ab Il a fallu rassurer les gens, mais apr\u00e8s ils avaient envie de se confier \u00bb, rapporte-t-il.<\/p>\n

Seidou Samba Tour\u00e9 ne pensait pas un jour int\u00e9grer le monde du cin\u00e9ma. Avant, il tenait une boutique de pr\u00eat-\u00e0-porter et avait mont\u00e9 une troupe de danse traditionnelle \u00e0 Gorom-Gorom. En 2015, il venait de reprendre un campement touristique quand un expatri\u00e9 roumain a \u00e9t\u00e9 enlev\u00e9 \u00e0 quelques kilom\u00e8tres de l\u00e0. Le couvre-feu, la fuite des habitants, ses amis tu\u00e9s, le d\u00e9sespoir et le sentiment d\u2019impuissance\u2026 \u00ab Tout est tomb\u00e9 \u00e0 l\u2019eau \u00bb, r\u00e9sume le cin\u00e9aste, rep\u00e9r\u00e9 en 2016 par l\u2019association Semfilms pour filmer une s\u00e9rie de reportages sur l\u2019ins\u00e9curit\u00e9.<\/p>\n

Malgr\u00e9 tout, il veut lancer un \u00ab message d\u2019espoir \u00bb pour \u00ab soigner les plaies \u00bb. Au-del\u00e0 des morts, le r\u00e9alisateur veut rendre hommage \u00ab \u00e0 la r\u00e9silience \u00bb de sa communaut\u00e9. Comme cet enseignant r\u00e9affect\u00e9 dans une nouvelle \u00e9cole, son ami rappeur parti \u00e0 la conqu\u00eate de l\u2019or en C\u00f4te d\u2019Ivoire ou encore la m\u00e8re de Boukari, qui refuse de se r\u00e9signer et attend toujours le retour de son fils. Son r\u00eave, organiser une projection de Massiiba \u00e0 Gorom-Gorom et cr\u00e9er une \u00e9cole de cin\u00e9ma pour les jeunes Sah\u00e9liens. \u00ab C\u2019est \u00e0 nous de raconter notre histoire \u00bb, insiste en souriant le cin\u00e9aste, qui forme d\u00e9j\u00e0 douze jeunes au documentaire sur smartphone.<\/p>\n

Pour plus d’informations et d’analyses sur la Burkina Faso<\/a>, suivez Africa-Press<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Africa-Press – Burkina Faso. Les paysages d\u00e9filent, majestueux. Les dunes de sable dor\u00e9, la colline blanche de Tondikara, les h\u00e9rons cendr\u00e9s de la mare d\u2019Oursi et la petite ville de Gorom-Gorom, aux portes du d\u00e9sert du Sahara. Des images rares de cette r\u00e9gion du nord du Burkina Faso rong\u00e9e par les violences djihadistes. Le r\u00e9alisateur […]<\/p>\n","protected":false},"author":82,"featured_media":23248,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,11,20,10],"tags":[111,725,29],"class_list":["post-23249","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture-et-art","category-homepage-french","category-top-nouvelles","category-toutes-les-actualites","tag-africa-press","tag-africa-press-burkina-faso","tag-burkina-faso"],"yoast_head":"\nl\u2019ode \u00e0 la r\u00e9silience du cin\u00e9aste Seidou Samba Tour\u00e9 - Burkina Faso<\/title>\n<meta name=\"description\" content=\"Les paysages d\u00e9filent, majestueux. 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