{"id":8415,"date":"2021-03-23T15:41:00","date_gmt":"2021-03-23T15:41:00","guid":{"rendered":"https:\/\/www.africa-press.net\/burkina-faso\/?p=8415"},"modified":"2021-04-17T12:34:45","modified_gmt":"2021-04-17T12:34:45","slug":"burkina-faso-kpg-conteur-2-0","status":"publish","type":"post","link":"https:\/\/www.africa-press.net\/burkina-faso\/culture-et-art\/burkina-faso-kpg-conteur-2-0","title":{"rendered":"KPG, conteur 2.0"},"content":{"rendered":"

Africa-Press<\/a> – Burkina Faso<\/a>. <\/strong><\/span>\u00c0 la crois\u00e9e du r\u00e9cit traditionnel, du th\u00e9\u00e2tre moderne et de l\u2019engagement citoyen, Kientega Pingd\u00e9wind\u00e9 G\u00e9rard est \u00e0 la fois le garant de coutumes orales ancestrales et le pionnier de la transmission num\u00e9rique du folklore volta\u00efque.<\/p>\n

\u00ab Tradition et modernit\u00e9 \u00bb : rebattue et souvent th\u00e9orique, l\u2019association des deux mots n\u2019est pas une tarte \u00e0 la cr\u00e8me dans le quotidien de KPG. Artiste multidisciplinaire particuli\u00e8rement reconnu dans l\u2019art th\u00e9\u00e2tral et l\u2019univers du conte, qu\u2019il qualifie de \u00ab thermom\u00e8tre de la soci\u00e9t\u00e9 \u00bb, Kientega Pingd\u00e9wind\u00e9 G\u00e9rard adapte le folklore oratoire burkinab\u00e8 au monde contemporain. Et inversement.<\/p>\n

Une \u00e9nergie apaisante, celle de l\u2019univers fantastique de la terre rouge du pays des hommes int\u00e8gres Sur un fil dont on peut facilement chuter pour tomber dans le gouffre des clich\u00e9s ou l\u2019ab\u00eeme de l\u2019adult\u00e8re culturel, il d\u00e9flore et sublime \u00ab ce moment o\u00f9 l\u2019\u00e9coute, la parole et le chant s\u2019entrem\u00ealent, se heurtent, cr\u00e9ent une \u00e9nergie apaisante, celle de l\u2019univers fantastique de la terre rouge du pays des hommes int\u00e8gres \u00bb, comme il aime le rappeler.<\/p>\n

Pulv\u00e9riser les fronti\u00e8res<\/b><\/p>\n

Issu de la caste des forgerons, de p\u00e8re orateur de masques (celui qui dialogue avec les incarnations rituelles muettes), l\u2019auteur de 42 ans, conteur, metteur en mots et en sc\u00e8ne, d\u00e9ploie son h\u00e9ritage culturel volta\u00efque autour de l\u2019actualit\u00e9 la plus br\u00fblante.<\/p>\n

Depuis le centre socio-culturel Koombi, qu\u2019il a fond\u00e9 dans sa ville natale d\u2019Arboll\u00e9 (Nord), il passe les heurts et bonheurs de la soci\u00e9t\u00e9 actuelle \u00e0 la moulinette de la sagesse s\u00e9culaire.<\/p>\n

En 2017, alors que les plaies politiques de l\u2019insurrection populaire ne sont pas encore cicatris\u00e9es, il enfante le spectacle \u00ab Kosyam \u00bb, du nom du palais pr\u00e9sidentiel burkinab\u00e8, t\u00e9moin de la fuite de Blaise Compaor\u00e9 et d\u2019une transition chaotique. En 2018, ann\u00e9e du vingti\u00e8me anniversaire de la mort de Norbert Zongo, KPG adapte sur sc\u00e8ne Rougb\u00eainga, roman du journaliste assassin\u00e9.<\/p>\n

M\u00eame s\u2019il cultive ses racines initiatiques dans des productions comme Parole de forgeron, KPG ne s\u2019engonce pas dans la posture de l\u2019immuabilit\u00e9. Sa cr\u00e9ativit\u00e9 pulv\u00e9rise les fronti\u00e8res des langues, des zones g\u00e9ographiques, des disciplines et des supports.<\/p>\n

Apr\u00e8s avoir travaill\u00e9, en moor\u00e9 ou en fran\u00e7ais, avec des compagnies de th\u00e9\u00e2tre locales, comme l\u2019Atelier th\u00e9\u00e2tre burkinab\u00e8 (ATB) ou le Carrefour international de th\u00e9\u00e2tre de Ouagadougou (Cito), il collabore avec des acteurs culturels europ\u00e9ens, comme les compagnies de danse hip-hop fran\u00e7aises Ego (Niort) ou Engrenages (Rennes).<\/p>\n

Il se produit de Vancouver \u00e0 Montreux en passant par Beyrouth, o\u00f9 il obtient en 2009 la m\u00e9daille d\u2019argent de l\u2019\u00ab Art du r\u00e9cit et de l\u2019oralit\u00e9 \u00bb lors des VIes Jeux de la Francophonie. En 2020, avec les artistes ivoirien Mareshal Zongo, centrafricain Ozaguin, guyanais Gran D\u00f4k\u00f4 Sawani Makan et b\u00e9ninois Farouk Abdoulaye, il cr\u00e9\u00e9 le spectacle Supiim (\u00ab l\u2019aiguille \u00bb, en moor\u00e9), all\u00e9gorie des crises identitaires qui constituent le sillon de son labour.<\/p>\n

Bon sens burkinab\u00e8\u2026<\/b><\/p>\n

C\u00f4t\u00e9 mixtion de disciplines, il digresse volontiers vers la com\u00e9die audiovisuelle ou vers la musique, par exemple avec le groupe de jazz fran\u00e7ais Yapa. Par go\u00fbt pour la vari\u00e9t\u00e9 des supports, il n\u2019h\u00e9site pas \u00e0 graver sa tradition orale dans le marbre du livre, notamment aux \u00e9ditions des Lettres de Champrosay.<\/p>\n

Enfin, en ces temps de pand\u00e9mie, Kientega Pingd\u00e9wind\u00e9 G\u00e9rard ne pouvait gu\u00e8re ignorer les horizons du num\u00e9rique. D\u00e8s les semaines du semi-confinement de 2020, install\u00e9 dans \u00ab l\u2019Atelier de la Forge \u00bb de son jardin ouagalais, KPG investit Facebook pour des directs quotidiens.<\/p>\n

En cette ann\u00e9e 2021, il entend valoriser l\u2019outil digital en diffusant la litt\u00e9rature orale dans les milieux p\u00e9dagogiques et en institutionnalisant le conte 2.0 \u00e0 travers la cr\u00e9ation de l\u2019\u00e9mission \u00ab Contes et l\u00e9gendes \u00bb sur les r\u00e9seaux sociaux.<\/p>\n

\u00c0 d\u00e9faut de sa m\u00e8re, on t\u00e8te sa grand-m\u00e8re Si le virus fait craindre la contagion dans les salles de spectacles, le bon sens burkinab\u00e8 enseigne qu\u2019\u00e0 \u00ab d\u00e9faut de sa m\u00e8re, on t\u00e8te sa grand-m\u00e8re \u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"

Africa-Press – Burkina Faso. \u00c0 la crois\u00e9e du r\u00e9cit traditionnel, du th\u00e9\u00e2tre moderne et de l\u2019engagement citoyen, Kientega Pingd\u00e9wind\u00e9 G\u00e9rard est \u00e0 la fois le garant de coutumes orales ancestrales et le pionnier de la transmission num\u00e9rique du folklore volta\u00efque. \u00ab Tradition et modernit\u00e9 \u00bb : rebattue et souvent th\u00e9orique, l\u2019association des deux mots n\u2019est […]<\/p>\n","protected":false},"author":82,"featured_media":8414,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,11,10],"tags":[111,725,29],"class_list":["post-8415","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture-et-art","category-homepage-french","category-toutes-les-actualites","tag-africa-press","tag-africa-press-burkina-faso","tag-burkina-faso"],"yoast_head":"\nKPG, conteur 2.0 - Burkina Faso<\/title>\n<meta name=\"description\" content=\"\u00c0 la crois\u00e9e du r\u00e9cit traditionnel, du th\u00e9\u00e2tre moderne et de l\u2019engagement citoyen, Kientega Pingd\u00e9wind\u00e9 G\u00e9rard est \u00e0 la ...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.africa-press.net\/burkina-faso\/culture-et-art\/burkina-faso-kpg-conteur-2-0\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"KPG, conteur 2.0\" \/>\n<meta property=\"og:description\" content=\"\u00c0 la crois\u00e9e du r\u00e9cit traditionnel, du th\u00e9\u00e2tre moderne et de l\u2019engagement citoyen, Kientega Pingd\u00e9wind\u00e9 G\u00e9rard est \u00e0 la ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.africa-press.net\/burkina-faso\/culture-et-art\/burkina-faso-kpg-conteur-2-0\" \/>\n<meta property=\"og:site_name\" content=\"Burkina Faso\" \/>\n<meta property=\"article:published_time\" content=\"2021-03-23T15:41:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-04-17T12:34:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/static.africa-press.net\/burkina\/sites\/42\/2021\/03\/img-605a056e4b4d7.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"720\" \/>\n\t<meta property=\"og:image:height\" content=\"360\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"cfeditorfr\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"cfeditorfr\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.africa-press.net\/burkina-faso\/culture-et-art\/burkina-faso-kpg-conteur-2-0#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.africa-press.net\/burkina-faso\/culture-et-art\/burkina-faso-kpg-conteur-2-0\"},\"author\":{\"name\":\"cfeditorfr\",\"@id\":\"https:\/\/www.africa-press.net\/burkina-faso\/#\/schema\/person\/2b1cf3cd81a31e3cd26889ca66d677f1\"},\"headline\":\"KPG, conteur 2.0\",\"datePublished\":\"2021-03-23T15:41:00+00:00\",\"dateModified\":\"2021-04-17T12:34:45+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.africa-press.net\/burkina-faso\/culture-et-art\/burkina-faso-kpg-conteur-2-0\"},\"wordCount\":722,\"commentCount\":0,\"image\":{\"@id\":\"https:\/\/www.africa-press.net\/burkina-faso\/culture-et-art\/burkina-faso-kpg-conteur-2-0#primaryimage\"},\"thumbnailUrl\":\"https:\/\/static.africa-press.net\/burkina\/sites\/42\/2021\/03\/img-605a056e4b4d7.jpg\",\"keywords\":[\"Africa Press\",\"Africa Press-Burkina Faso\",\"Burkina Faso\"],\"articleSection\":[\"Culture et Art\",\"homepage-french\",\"Toutes les actualit\u00e9s\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.africa-press.net\/burkina-faso\/culture-et-art\/burkina-faso-kpg-conteur-2-0#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.africa-press.net\/burkina-faso\/culture-et-art\/burkina-faso-kpg-conteur-2-0\",\"url\":\"https:\/\/www.africa-press.net\/burkina-faso\/culture-et-art\/burkina-faso-kpg-conteur-2-0\",\"name\":\"KPG, conteur 2.0 - 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