{"id":10763,"date":"2022-11-03T18:16:38","date_gmt":"2022-11-03T18:16:38","guid":{"rendered":"https:\/\/www.africa-press.net\/congo-brazzaville\/politique\/les-souvenirs-de-la-musique-congolaise-les-bantous-entre-depart-et-arrivee-suite-et-fin"},"modified":"2022-11-03T19:34:00","modified_gmt":"2022-11-03T19:34:00","slug":"les-souvenirs-de-la-musique-congolaise-les-bantous-entre-depart-et-arrivee-suite-et-fin","status":"publish","type":"post","link":"https:\/\/www.africa-press.net\/congo-brazzaville\/culture-et-art\/les-souvenirs-de-la-musique-congolaise-les-bantous-entre-depart-et-arrivee-suite-et-fin","title":{"rendered":"Les souvenirs de la musique congolaise : les Bantous entre d\u00e9part et arriv\u00e9e (suite et fin)"},"content":{"rendered":"

Africa-Press – Congo Brazzaville. <\/strong><\/span>Les anne\u0301es 1967, 1968 et 1969 marquent l\u2019arrive\u0301e dans l\u2019orchestre Bantous de la capitale de trois instrumentistes et d\u2019un chanteur ainsi que sa participation au Festival panafricain d\u2019Alger. <\/b><\/p>\n

L\u2019arrive\u0301e des trois musiciens apporte une autre couleur dans le re\u0301pertoire des Bantous de la capitale. Il s\u2019agit de Nona Arthur, saxophoniste et clarinettiste dissident de l\u2019orchestre Tembo, qui vient combler le vide cre\u0301e\u0301 par Essous Jean Serge suite a\u0300 sa de\u0301fection, et forme un tandem exceptionnel avec Nino Malapet dans le maniement des instruments a\u0300 vent; Sime\u0301on Malonga alias \u00ab Ricky \u00bb, transfuge du Cercul-Jazz, recrute\u0301 tout d\u2019abord a\u0300 la batterie et ensuite a\u0300 la tumba comme deuxie\u0300me percussionniste, suite au de\u0301part de Weteto Mi Corason; Samuel Malonga dit \u00ab Samy trompette \u00bb (trompettiste). La trompette, un instrument que les Bantous incorporent pour la premie\u0300re fois dans leur style, apporte une valeur ajoute\u0301 aux tempos de deux saxos, a\u0300 savoir celui de Nona et Nino Malapet. The\u0301ophile Bitsikou (The\u0301o pour les intimes), ancien socie\u0301taire de l\u2019orchestre Los Batchitchia, est recrute\u0301 comme chanteur spe\u0301cialiste des chansons en rythme And Blous qui est un de\u0301rive\u0301 du Jazz que l\u2019on appelait aussi musique pop, tre\u0300s en vogue a\u0300 l\u2019e\u0301poque et qui fut un vent en provenance des etats-Unis qui envahit l\u2019Europe et l\u2019Afrique sur l\u2019impulsion des stars ce\u0301le\u0300bres telles que James Brown, Otis Redding, Jimmy Hendrix et autres. Avec comme danse le Djerck dont raffolait la jeunesse montante. The\u0301o Bitsikou, gra\u0302ce a\u0300 sa voix barritone, deviendra plus tard chanteur deuxie\u0300me voix. Il exce\u0300le dans les titres comme \u00ab\u00a0Nani te\u0301 Kady\u00a0\u00bb, \u00ab\u00a0Ce\u0301lia\u00a0\u00bb, \u00ab\u00a0Congo ve\u0301lita\u00a0\u00bb, \u00ab\u00a0libala ekeseni\u00a0\u00bb<\/p>\n

Du 21 juillet au 5 aou\u0302t 1969, les Bantous de la capitale repre\u0301sentent le Congo au Festival panafricain d\u2019Alger, festival aucours duquel l’orchestre pre\u0301sente au public algerois les danses \u00a0\u00bb Boucher\u00a0\u00bb, \u00ab\u00a0Yeke-yeke\u00a0\u00bb et \u00ab\u00a0Soukous\u00a0\u00bb, exhibe\u0301es parDominique Mbimi, The\u0301ophile Ndala dit \u00ab Guwassa \u00bb, Bringo, Wello, Morin Youlou, Evelyne Ngongolo, Ange\u0300le Mousounda , Yengo Bobo et Clotilde alias Bouton dore\u0301.<\/p>\n

A l\u2019issue du festival, les Bantous remportent la me\u0301daille de bronze dans la cate\u0301gorie musique moderne et sont retenus par la direction du tourisme de l\u2019Algerie pour livrer des concerts dans les sites touristiques d\u2019Alger pendant un mois.<\/p>\n

Apre\u0300s l’Algerie, les Bantous se rendent en France ou\u0300 ils livrent quelques concerts a\u0300 Paris et en profitent pour e\u0301diter, chez Pathe\u0301 Marcony, le repertoire des chansons enregistre\u0301es a\u0300 Alger telles que \u00ab\u00a0Lysie\u00a0\u00bb, \u00ab\u00a0Mafuta ya nzoyi\u00a0\u00bb, \u00ab\u00a0Trois mois de tristesse\u00a0\u00bb , \u00ab\u00a0Fafy Cina\u00a0\u00bb, \u00a0\u00bb C\u2019est serieux tantina\u00a0\u00bb et biens d\u2019autres…<\/p>\n

Pour plus d’informations et d’analyses sur la Congo Brazzaville<\/a>, suivez Africa-Press<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Africa-Press – Congo Brazzaville. Les anne\u0301es 1967, 1968 et 1969 marquent l\u2019arrive\u0301e dans l\u2019orchestre Bantous de la capitale de trois instrumentistes et d\u2019un chanteur ainsi que sa participation au Festival panafricain d\u2019Alger. L\u2019arrive\u0301e des trois musiciens apporte une autre couleur dans le re\u0301pertoire des Bantous de la capitale. Il s\u2019agit de Nona Arthur, saxophoniste et […]<\/p>\n","protected":false},"author":82,"featured_media":10762,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,10],"tags":[36,47,46],"class_list":["post-10763","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture-et-art","category-toutes-les-actualites","tag-africa-press","tag-africa-press-congo-brazzaville","tag-congo-brazzaville"],"yoast_head":"\nLes souvenirs de la musique congolaise : les Bantous entre d\u00e9part et arriv\u00e9e (suite et fin) - Congo Brazzaville<\/title>\n<meta name=\"description\" content=\"Les anne\u0301es 1967, 1968 et 1969 marquent l\u2019arrive\u0301e dans l\u2019orchestre Bantous de la capitale de trois instrumentistes e ...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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