{"id":11061,"date":"2022-11-11T18:33:57","date_gmt":"2022-11-11T18:33:57","guid":{"rendered":"https:\/\/www.africa-press.net\/congo-brazzaville\/politique\/photographie-gosette-lubondo-a-lhonneur-au-chateau-deau-de-toulouse"},"modified":"2022-11-11T19:20:27","modified_gmt":"2022-11-11T19:20:27","slug":"photographie-gosette-lubondo-a-lhonneur-au-chateau-deau-de-toulouse","status":"publish","type":"post","link":"https:\/\/www.africa-press.net\/congo-brazzaville\/culture-et-art\/photographie-gosette-lubondo-a-lhonneur-au-chateau-deau-de-toulouse","title":{"rendered":"Photographie : Gosette Lubondo \u00e0 l’honneur au ch\u00e2teau d’eau de Toulouse"},"content":{"rendered":"

Africa-Press – Congo Brazzaville. <\/strong><\/span>Les cliche\u0301s tire\u0301s des collections photographiques \u00ab Imaginary trip II \u00bb et \u00ab Terre de lait \u00bb, re\u0301cre\u0301ant de fac\u0327on poe\u0301tique et troublant les souvenirs de l’histoire de son pays, la Re\u0301publique de\u0301mocratique du Congo (RDC), sont expose\u0301s jusqu’au 31 de\u0301cembre a\u0300 la Galerie Le Cha\u0302teau d’eau de Toulouse en France.<\/b><\/p>\n

La se\u0301rie de photographie de Gosette Lubondo, \u00ab\u00a0Terre de lait\u00a0\u00bb, est une expression tire\u0301e du livre de Le\u0301vitique qui signifie \u2018\u2019Je vous donnerai cette terre ou\u0300 coulent le lait et le miel\u2019\u2019. Elle renvoie au de\u0301sir qui a re\u0301side\u0301 a\u0300 la cre\u0301ation de la ville de Gbadolite, au Nord de la RDC, par le pre\u0301sident Mobutu qui, dans les anne\u0301es 1960, voulait faire de son village natal sa terre promise. Lieu de prestige a\u0300 sa gloire durant les premie\u0300res de\u0301cennies qui ont suivi sa cre\u0301ation et abandonne\u0301 et pille\u0301 a\u0300 la chute de son ba\u0302tisseur, la promesse s’en est alle\u0301e avec lui.<\/p>\n

Attentive a\u0300 la me\u0301moire, des lieux au traitement du patrimoine par ceux qui en he\u0301ritent, Gosette Lubondo explore dans cette nouvelle se\u0301rie l’histoire, l’he\u0301ritage patrimoine de Gbadolite. Par cette se\u0301rie, le spectateur est convie\u0301 a\u0300 une ce\u0301re\u0301monie d’animation politique, lors de laquelle des groupes de danseurs et de chanteurs donnaient des repre\u0301sentations a\u0300 la gloire de Mobutu. Mais ici, les costumes aux couleurs vives et les chore\u0301graphies rythme\u0301es des danseurs ont laisse\u0301 place au recueillement et a\u0300 la me\u0301ditation. Des sentiments que la photographe pre\u0302te aux personnes qu’elle fait revenir sur ces lieux abandonne\u0301s, qui ont connu de grandes heures de leur gloire passe\u0301e, fige\u0301e dans la me\u0301moire collective.<\/p>\n

Par ailleurs, la se\u0301rie \u2018\u2019Imaginary\u2019\u2019 est une recherche de l’artiste sur la me\u0301moire des espaces et des individus. Elle se plonge dans un voyage imaginaire, un concept qui consiste a\u0300 investir des espaces abandonne\u0301s, livre\u0301s a\u0300 la nature, afin d’y camper des mises en sce\u0300ne et reconstitution. Ces photographies ne cherchent pas uniquement a\u0300 pre\u0301server la me\u0301moire de ces lieux, mais e\u0301galement a\u0300 donner un nouvel e\u0301clairage de leur histoire et a\u0300 questionner leur signification dans le contexte social actuel.<\/p>\n

En se confrontant a\u0300 ces lieux du passe\u0301, la jeune photographe congolaise, Gosette Lubondo, questionne autant l’histoire de son pays que son histoire personnelle. C’est, en effet, par ses parents qu’elle a pris connaissance de ce lieu fanto\u0302me qui repre\u0301sente pour la ge\u0301ne\u0301ration dont ces derniers sont issus, un fantasme, un re\u0302ve fige\u0301 dans le temps. En se mettant, en outre, en sce\u0300ne aux co\u0302te\u0301s d’autres mode\u0300les sous les traits de personnages fictifs du passe\u0301, e\u0301coliers, enseignants ou encore personnel de l’e\u0301tablissement, la jeune photographe cherche a\u0300 revivre l’histoire de ce lieu, te\u0301moin de l’e\u0301poque coloniale.<\/p>\n

Membre du KAS, le Kin arstudio, une plateforme culturelle fonde\u0301e a\u0300 Kinshasa en 2010, Gosette a e\u0301te\u0301 laure\u0301ate des re\u0301sidences photographiques du Muse\u0301e de Quaibranly, en 2017, et aussi finaliste du Goethe-Institut Master class. En 2020, un ouvrage rassemblant ses \u0153uvres re\u0301alise\u0301es entre 2013 et 2019 a e\u0301te\u0301 publie\u0301 a\u0300 l’occasion de la premie\u0300re exposition individuelle de l’artiste. Par ailleurs, la jeune photographe a de\u0301ja\u0300 participe\u0301 a\u0300 plusieurs expositions collectives et individuelles a\u0300 travers le monde, a\u0300 savoir Hills (biennale de Kampala) en 2016, He\u0301lio tropisme, collection si particulie\u0300re a\u0300 Arles en 2017, E\u0301blouissement (biennale de lumbumbashi) en 2017, stories (African business and economic forum) en Egypte en 2017, Kinshasa chronique en 2018, Congo stars joanneum Museum, Autriche en 2018, Adidas foto Fest en 2018.<\/p>\n

Pour plus d’informations et d’analyses sur la Congo Brazzaville<\/a>, suivez Africa-Press<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Africa-Press – Congo Brazzaville. Les cliche\u0301s tire\u0301s des collections photographiques \u00ab Imaginary trip II \u00bb et \u00ab Terre de lait \u00bb, re\u0301cre\u0301ant de fac\u0327on poe\u0301tique et troublant les souvenirs de l’histoire de son pays, la Re\u0301publique de\u0301mocratique du Congo (RDC), sont expose\u0301s jusqu’au 31 de\u0301cembre a\u0300 la Galerie Le Cha\u0302teau d’eau de Toulouse en France. 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