{"id":30977,"date":"2024-05-30T19:37:27","date_gmt":"2024-05-30T19:37:27","guid":{"rendered":"https:\/\/www.africa-press.net\/congo-brazzaville\/politique\/environnement-boubacar-toure-mandemory-raconte"},"modified":"2024-05-30T20:14:42","modified_gmt":"2024-05-30T20:14:42","slug":"environnement-boubacar-toure-mandemory-raconte","status":"publish","type":"post","link":"https:\/\/www.africa-press.net\/congo-brazzaville\/culture-et-art\/environnement-boubacar-toure-mandemory-raconte","title":{"rendered":"Environnement : Boubacar Tour\u00e9 Mand\u00e9mory raconte\u2026"},"content":{"rendered":"

Africa-Press – Congo Brazzaville. <\/strong><\/span>\u00ab Chronique de la ville en de\u0301cre\u0301pitude \u00bb, tel est le the\u0300me aborde\u0301 par le photographe se\u0301ne\u0301galais, Boubacar Toure\u0301 Mande\u0301mory, au vernissage de l’exposition photo de la quatrie\u0300me e\u0301dition des Rencontres internationales de la photographie d\u2019auteur (Kokutan\u2019art), qui s\u2019est tenue du 21 au 24 mai a\u0300 Brazzaville, mettant en lumie\u0300re l\u2019urgence climatique. <\/b><\/p>\n

\u00ab Chronique de la ville en de\u0301cre\u0301pitude \u00bb, c\u2019est l\u2019histoire de deux adolescents vivant a\u0300 Rio, au Bre\u0301sil, a\u0300 qui on avait demande\u0301 des photographies repre\u0301sentant leurs lieux d\u2019habitation. L\u2019un avait propose\u0301 un clou fiche\u0301 dans un pan de mur le\u0301zarde\u0301 et l\u2019autre, le visage d\u2019un jeune garc\u0327on au nez sanguinolent apparemment arrache\u0301. Le mai\u0302tre, persuade\u0301 qu\u2019ils n\u2019avaient pas compris le sens de l\u2019e\u0301preuve, les interrogeait pour obtenir des re\u0301ponses. Pour le premier, le clou repre\u0301sentait la place qu\u2019il devait louer tous les jours afin d\u2019installer son modeste attirail de petit cireur de rue. Il constituait pour lui et sa famille un lieu de vie. Le second expliquait qu\u2019il logeait avec sa me\u0300re, ses fre\u0300res et s\u0153urs dans un trou qu\u2019ils disputaient aux rats. Dormir profonde\u0301ment signifiait se faire rogner le nez par les rats. Le visage sanguinolent e\u0301tait une adresse des plus pre\u0301cises pour lui.<\/p>\n

Boubacar Toure\u0301 s\u2019est adonne\u0301 au me\u0302me exercice pour la ville de Gue\u0301diawaye qu\u2019il aime tant et pour qui il souhaite ce qu\u2019il y a de mieux. Son regard attendri, attentif et affectueux a fouille\u0301 chaque fragment de terrain, chaque silence pour de\u0301voiler une ve\u0301rite\u0301 dissimule\u0301e derrie\u0300re les rideaux de la pudeur. \u00ab Gue\u0301diawaye est ma ville, c\u2019est la dernie\u0300re cre\u0301e\u0301e au Se\u0301ne\u0301gal. Quelques anne\u0301es apre\u0300s, elle a commence\u0301e a\u0300 e\u0302tre de\u0301cre\u0301pie, parce qu\u2019il y avait des inondations. On ne pouvait plus ge\u0301rer, c\u2019e\u0301tait des zones de mare\u0301cages. On avait averti des gens de ne plus y habiter, malheureusement ils sont reste\u0301s. Les maisons e\u0301taient comple\u0300tement englouties. Pour se frayer le passage, on e\u0301tait dans l\u2019obligation de mettre des sacs. Ce qui avait fait que je cre\u0301e, en 2013, les chroniques d\u2019une ville en de\u0301cre\u0301pitude, et le monde a suivi \u00bb, a raconte\u0301 Boubacar Toure\u0301. \u00ab Actuellement quand on y va, ce sont des routes, c\u2019est du pavage, une ville moderne avec des lampadaires, parce que la chronique a porte\u0301 ses fruits. Les gens influents e\u0301taient derrie\u0300re moi pour e\u0301crire des textes. Mes publications en soire\u0301e de the Backstage Africa Project avaient plus de vingt mille like par jour \u00bb, a-t-il renche\u0301ri, sourire aux le\u0300vres.<\/p>\n

N\u2019e\u0301tant pas seulement originales et admirables, les photographies de Boubacar appellent a\u0300 re\u0301fle\u0301chir et a\u0300 re\u0301agir imme\u0301diatement. Les paysages eux-me\u0302mes montrent les signes de saturation et de basculement vers la catastrophe. La perception, parfois inconsciente que les habitants ont de leur cadre de vie aussi ge\u0301ographiquement soit-il, est a\u0300 la fois poe\u0301tique et de\u0301risoire. \u00ab L\u2019auto de\u0301rision est une the\u0301rapie efficace quand on a aucun autre moyen de s\u2019en sortir re\u0301volte\u0301 ou farouchement de\u0301nonciateur \u00bb, a-t-il dit.<\/p>\n

Boubacar Toure\u0301 Mande\u0301mory, ne\u0301 a\u0300 Dakar en 1956, est un photographe dont le travail a marque\u0301 la sce\u0300ne artistique. Il fait partie de la ge\u0301ne\u0301ration de photographes qui a e\u0301merge\u0301 dans les anne\u0301es 1980, a\u0300 une e\u0301poque ou\u0300 la photo de portrait en studio a ce\u0301de\u0301 sa place a\u0300 la photographie documentaire et au reportage.<\/p>\n

Furieusement inde\u0301pendant, il a e\u0301te\u0301 a\u0300 l\u2019initiative de nombreuses initiatives collectives, notamment des agences de presse prive\u0301es et le service photo de l\u2019Agence panafricaine de presse. Son travail a franchi les portes des muse\u0301es et des galeries d\u2019Afrique de l\u2019Ouest, mais il a e\u0301galement e\u0301claire\u0301 les cimaises des galeries europe\u0301ennes. Sa pratique s\u2019est longtemps de\u0301veloppe\u0301e autour du grand reportage et de l\u2019e\u0301tude fine des ethnies du Se\u0301ne\u0301gal et des pays limitrophes.<\/p>\n

Le style unique de Boubacar Toure\u0301 Mande\u0301mory se caracte\u0301rise par des compositions au super grand angle, souvent en contre-plonge\u0301e, qui e\u0301clatent nos certitudes. Au-dela\u0300 de l\u2019esthe\u0301tique, ses images nous plongent au c\u0153ur de l\u2019univers qu\u2019il souhaite nous projeter en pleine face. Chez lui, la beaute\u0301 d\u2019une image est indissociable de l\u2019histoire qu\u2019il veut raconter.<\/p>\n

Pour plus d’informations et d’analyses sur la Congo Brazzaville<\/a>, suivez Africa-Press<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Africa-Press – Congo Brazzaville. \u00ab Chronique de la ville en de\u0301cre\u0301pitude \u00bb, tel est le the\u0300me aborde\u0301 par le photographe se\u0301ne\u0301galais, Boubacar Toure\u0301 Mande\u0301mory, au vernissage de l’exposition photo de la quatrie\u0300me e\u0301dition des Rencontres internationales de la photographie d\u2019auteur (Kokutan\u2019art), qui s\u2019est tenue du 21 au 24 mai a\u0300 Brazzaville, mettant en lumie\u0300re l\u2019urgence […]<\/p>\n","protected":false},"author":82,"featured_media":30976,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,10],"tags":[36,47,46],"class_list":["post-30977","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture-et-art","category-toutes-les-actualites","tag-africa-press","tag-africa-press-congo-brazzaville","tag-congo-brazzaville"],"yoast_head":"\nEnvironnement : Boubacar Tour\u00e9 Mand\u00e9mory raconte\u2026 - 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