{"id":1304,"date":"2021-12-29T10:24:48","date_gmt":"2021-12-29T10:24:48","guid":{"rendered":"https:\/\/www.africa-press.net\/guinee-equatoriale\/politique\/cinema-africain-droits-de-distribution-et-difficultes-de-conservation"},"modified":"2021-12-29T14:26:43","modified_gmt":"2021-12-29T14:26:43","slug":"cinema-africain-droits-de-distribution-et-difficultes-de-conservation","status":"publish","type":"post","link":"https:\/\/www.africa-press.net\/guinee-equatoriale\/culture-et-art\/cinema-africain-droits-de-distribution-et-difficultes-de-conservation","title":{"rendered":"Cin\u00e9ma africain : droits de distribution et difficult\u00e9s de conservation"},"content":{"rendered":"

Africa-Press – Guinee Equatoriale. <\/strong><\/span>C\u2019est un triste constat que faisait \u00e0 l’antenne de la BBC le cin\u00e9aste et universitaire tanzanien Amil Shivji : les Africains n\u2019ont pas acc\u00e8s au \u0153uvres pionni\u00e8res du cin\u00e9ma produites par le continent. La d\u00e9tention des droits de distribution hors du continent, souvent en Europe, sont l’une des raisons \u00e0 l’origine de cette situation.<\/p>\n

Dans l’entretien accord\u00e9 \u00e0 BBC Africa, Amil Shivji explique ainsi que les films r\u00e9alis\u00e9s dans les ann\u00e9es 60-80 \u2013 entre autres en Afrique de l’Ouest par des grands noms du cin\u00e9ma africain comme Ousmane Semb\u00e8ne, Djibril Mamb\u00e9ty Diop ou encore Gaston Kabor\u00e9 \u2013, ont \u00e9t\u00e9 financ\u00e9s par des gouvernements et des entreprises priv\u00e9es en Europe. Restaur\u00e9s et digitalis\u00e9s aujourd’hui, ils \u00ab\u00a0ne b\u00e9n\u00e9ficient toujours pas des mod\u00e8les de distribution qu’ils m\u00e9ritent en Afrique\u00a0\u00bb.<\/p>\n

\u00ab\u00a0Nous sommes encore assez d\u00e9pendants des march\u00e9s europ\u00e9ens pour distribuer nos films, car nous n’avons pas l’infrastructure (ad\u00e9quate)\u00a0\u00bb pour le faire en Afrique. \u00ab\u00a0Ainsi, m\u00eame les films classiques des p\u00e8res du cin\u00e9ma africain, nous n’avons toujours pas les droits pour distribuer ces films sur le continent africain, m\u00eame \u00e0 des fins \u00e9ducatives\u00a0\u00bb, regrette le ma\u00eetre de conf\u00e9rence \u00e0 l’Universit\u00e9 de Dar es Salam en Tanzanie.<\/p>\n

D\u00e9faut de conservation<\/b><\/p>\n

L’indisponibilit\u00e9 de ces \u0153uvres sur le continent est \u00e9voqu\u00e9e dans le dernier rapport de l’Unesco sur le cin\u00e9ma africain publi\u00e9 en octobre dernier. Il tient aussi \u00e0 des difficult\u00e9s de conservation. A cause des conflits ou des conditions climatiques, \u00ab\u00a0les archives audiovisuelles stock\u00e9es localement se sont progressivement d\u00e9t\u00e9rior\u00e9es, car les m\u00e9thodes et les ressources de conservation \u00e9taient inadapt\u00e9es, et les premiers documents datant des ann\u00e9es 1950 ont d\u00e9j\u00e0 disparu\u00a0\u00bb, peut-on lire dans le document.<\/p>\n

\u00ab\u00a0Quant aux films cellulo\u00efd, les archives ayant le mieux surv\u00e9cu \u00e0 l\u2019\u00e9preuve du temps ne sont pratiquement jamais retrouv\u00e9es en Afrique, mais dans les archives nationales du cin\u00e9ma en France, au Royaume-Uni et dans d\u2019autres pays europ\u00e9ens ou dans diverses universit\u00e9s occidentales disposant d\u2019un d\u00e9partement d\u00e9di\u00e9 au cin\u00e9ma africain\u00a0\u00bb. Cons\u00e9quences : \u00ab\u00a0les \u00e9tablissements d\u2019enseignement en Afrique n\u2019ont pas acc\u00e8s \u00e0 ces films pionniers\u00a0\u00bb et \u00ab\u00a0tr\u00e8s peu de personnes connaissent l\u2019existence du patrimoine cin\u00e9matographique du continent, et encore moins parmi le public africain\u00a0\u00bb.<\/p>\n

Si ces films sont inaccessibles, c’est aussi parce que des structures ad\u00e9quates n’ont pas \u00e9t\u00e9 mises en place. \u00ab\u00a0Le continent n\u2019imposant aucun syst\u00e8me de d\u00e9p\u00f4t, les premiers et souvent les seuls, acteurs dans le domaine de la conservation sont les archives nationales du cin\u00e9ma\u00a0\u00bb. Sur le continent, \u00ab\u00a0seuls huit pays\u00a0\u00bb disposent de telles structures.<\/p>\n

Pour plus d’informations et d’analyses sur la Guinee Equatoriale<\/a>, suivez Africa-Press<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Africa-Press – Guinee Equatoriale. C\u2019est un triste constat que faisait \u00e0 l’antenne de la BBC le cin\u00e9aste et universitaire tanzanien Amil Shivji : les Africains n\u2019ont pas acc\u00e8s au \u0153uvres pionni\u00e8res du cin\u00e9ma produites par le continent. La d\u00e9tention des droits de distribution hors du continent, souvent en Europe, sont l’une des raisons \u00e0 l’origine […]<\/p>\n","protected":false},"author":82,"featured_media":1303,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,11,10],"tags":[36,49,120,50],"class_list":["post-1304","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture-et-art","category-homepage-french","category-toutes-les-actualites","tag-africa-press","tag-africa-press-guinee-equatoriale","tag-cinema-africain","tag-guinee-equatoriale"],"yoast_head":"\nCin\u00e9ma africain : droits de distribution et difficult\u00e9s de conservation - Guin\u00e9e \u00e9quatoriale<\/title>\n<meta name=\"description\" content=\"C\u2019est un triste constat que faisait \u00e0 l'antenne de la BBC le cin\u00e9aste et universitaire tanzanien Amil Shivji : les Afric ...\" \/>\n<meta name=\"robots\" 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