{"id":23961,"date":"2022-06-12T22:20:20","date_gmt":"2022-06-12T22:20:20","guid":{"rendered":"https:\/\/www.africa-press.net\/malawi\/all-news\/giving-refreshing-appeal-to-timeless-music"},"modified":"2022-06-13T00:11:57","modified_gmt":"2022-06-13T00:11:57","slug":"giving-refreshing-appeal-to-timeless-music","status":"publish","type":"post","link":"https:\/\/www.africa-press.net\/malawi\/all-news\/giving-refreshing-appeal-to-timeless-music","title":{"rendered":"Giving refreshing appeal to timeless music"},"content":{"rendered":"<p><span style=\"color: #ff6600\"><strong>Africa-Press &#8211; Malawi. <\/strong><\/span>It is no easy task to re-work a song and still manage to maintain its original touch whilst fiddling with it, knowing fully well that the initial artist scaled lofty heights with the track. Not long ago in the United States, Etta James once chided famous RnB star Beyonce for not doing justice to her famous track \u2018At last\u2019 which she had performed at an event where James was in attendance.<\/p>\n<p>It is not strange to find people perfecting their musical prowess by re-working old songs or doing remixes (as they are popularly called). Even Hip-Hop mogul Sean \u2018Diddy\u2019 Combs prides himself as a master when it comes to producing remix songs and even compiled a whole album titled \u2018We invented the remix\u2019 comprising hit songs initially done by artists that were signed to his Badboy Records music label.<\/p>\n<p>I found myself mulling over this topic the other day as I listened to what I consider Malawian classic songs that were given a modern feel by the new generation of artists.<\/p>\n<p>Take, for example, the hit song \u2018Chinafuna M\u2019bale\u2019 by Lucky Stars Band, which was given a make-over by rap artist Tay Grin who aptly titled his \u2018Our way\u2019, with Malawi\u2019s legendary producer Tapps doing justice to the beat:<\/p>\n<p><b>Chinafuna m\u2019bale, chinabwera,yeah!<\/b><br \/>\n<b>Chinafuna m\u2019bale, chilipo!<\/b><br \/>\n<b>Chinafuna m\u2019bale, chinabwera! (Grin!)<\/b><br \/>\n<b>Chinafuna m\u2019bale,yeah! Chilipo!<\/b><br \/>\n<b>Mfana okwana, bonya<\/b><br \/>\n<b>Mwano zonse kutsonya<\/b><br \/>\n<b>Zakwathu tikuponya<\/b><br \/>\n<b>Poster boy composure<\/b><br \/>\n<b>Get down on the floor let\u2019s party first class<\/b><br \/>\n<b>Motherland stylin, trend setters,<\/b><br \/>\n<b>In a league of our own doin\u2019 it our way, go!<\/b><\/p>\n<p>Far from choking the life out of the original song, the remix by Grin managed to win over the youthful audience which had probably not paid much attention to the initial \u2018Chinafuna M\u2019bale\u2019 due to age or generational gap but once the remix dropped, it was the perfect time for the youthful audience to reconnect with their roots as many probably enquired about the origins of the song.<\/p>\n<p>Another remix track worth the mention is \u2018Munyaradzi\u2019, initially done by late Saleta Phiri and his AB Sounds. Saleta would later team up with Honjo star San B, who delivered an energetic act on the song and not surprisingly, it soared to new wavelength:<\/p>\n<p><b>Munyaradzi, hoo mwana wanga iwe! X2<\/b><br \/>\n<b>Ine bambo wako, kudandaula! X2<\/b><br \/>\n<b>Iwe zochita zako, zokhumudwitsa x2<\/b><br \/>\n<b>Wamuona Tsokonombwe,<\/b><br \/>\n<b>alumpha ndi chule<\/b><br \/>\n<b>Chi ulendo cha San ndi Saletaa!<\/b><\/p>\n<p>Bantu Kamuradzi also caused quite a sensation with their track \u2018Amayi anati\u2019, another tune that built on the initial one done by the original artist.<\/p>\n<p><b>Amayi adati, ine ndapita<\/b><br \/>\n<b>Dziwa ndi nkhondo, mwana\u2019nga usamale<\/b><br \/>\n<b>Aah!Indee!Aaah!<\/b><br \/>\n<b>Amayi adati, ine ndapita<\/b><br \/>\n<b>Dziwa ndi nkhondo, mwana\u2019nga usamale<\/b><br \/>\n<b>Zoona!Aaah!Indee!<\/b><br \/>\n<b>Akapanda kumva aleke iwe mwananga<\/b><br \/>\n<b>yee ine ndalephera<\/b><br \/>\n<b>Zoona! Indee!<\/b><br \/>\n<b>Akapanda kumva aleke iwe mwananga yee<\/b><br \/>\n<b>ine ndalephera<\/b><br \/>\n<b>Aah Indee! Zoona!<\/b><br \/>\n<b>Uumh adanena, dzikoli ndi lovuta,<\/b><br \/>\n<b>Ngakhale adzikunyoza kupondereza osagonja,<\/b><br \/>\n<b>Odala ovutikira, kulira ndi chisoni<\/b><br \/>\n<b>kumasula bongo wako<\/b><br \/>\n<b>Osasiya kulimbika, tsiku lina zidzayenda,<\/b><br \/>\n<b>mwinanso zidzavuta ukadzapanda kusamala,<\/b><br \/>\n<b>Mvera sunga mwambowo, tsegula<\/b><br \/>\n<b>maso akoo!<\/b><br \/>\n<b>**Back to chorus***<\/b><br \/>\n<b>Khala okonzeka, fuko lako nulitchinjiriza,<\/b><br \/>\n<b>pamene anthu akuda ofiira ndi obiriwira<\/b><br \/>\n<b>angayembekezenso chani pa iwe<\/b><br \/>\n<b>munthu wachifirika<\/b><br \/>\n<b>osati kutsata zokhazo zofunikira<\/b><br \/>\n<b>mavalidwe, machitidwe odzetsa<\/b><br \/>\n<b>mtendere Chitsiru sichidziwa<\/b><br \/>\n<b>koma ochenjera amvetsere<\/b><br \/>\n<b>Mulungu dalitsani Malawi, dziko la<\/b><br \/>\n<b>umphawi<\/b><br \/>\n<b>Awa ndiwo<\/b><br \/>\n<b>mau omaliza, ino ndiyo nthawi!<\/b><\/p>\n<p>Relatively new artist Lesley also did justice to \u2018Bambo a Tereza\u2019, a song that was originally done by The Roots Band, which was quite popular in yester years:<\/p>\n<p><b>Bambo a Tereza, chonde tisiyane bwino,<\/b><br \/>\n<b>Ngati banja latha, chonde tisakangane,<\/b><br \/>\n<b>Ine ndidzakwatiwa ndi inunso kukwatira,<\/b><br \/>\n<b>Akakhala anawa awasunga Mulungu!<\/b><\/p>\n<p>Goodson Gomonda\u2019s \u2018Kaduwa\u2019 is such a fine tune that, when it initially came out, it took the airwaves by storm:<\/p>\n<p><b>Kakati kayende pamsewupa,<\/b><br \/>\n<b>anyamata onse kucheuka!<\/b><br \/>\n<b>Monga duwa, likuopa njuchi!<\/b><\/p>\n<p>It therefore was no surprise to see HipHop outfit Basement jumping on the track for a remake. The confident and smooth rap flows by the likes of Abambo AB and Cyclone gave the classic track a whole new dimension.<\/p>\n<p>Usually, the temptation to do the remix or remake is quite huge for most artists, but then the challenge comes in when you begin to consider if you have what it takes to do justice to the song. Another contentious issue has been that of copyright. We have seen a couple of local artists being taken to task by rights holders of a song for failing to follow set protocol when one wants to remake somebody else\u2019s work.<\/p>\n<p>Just the other day on this very page when we were paying a befitting tribute to Martse, we reminisced about how he gave a ghetto feel to two songs done by two of the biggest stars to have emerged from Malawi; Lucius Banda (Mabala track) and Billy Kaunda (Mwapindulanji from his first album).<\/p>\n<p>Lucius recalled how a determined Martse approached him to do a remake of Mabala.<\/p>\n<p>\u201cHe called me on the phone and said \u2018dad, can I make a cover of one of your songs?\u2019 I said \u2018which one, son\u2019 \u2018Mabala\u2019 he said with a laugh. \u2019Are you sure?\u2019 \u2018yes\u2019 he said,\u201d recalls Lucius in a post he made after the young artists died.<\/p>\n<p>He added that sometime down the line, when he gets to listen to Martse\u2019s version of \u2018Mabala\u2019 he realizes that it was just as powerful as the initial one.<\/p>\n<p>One can clearly see that there was no copyright violation in this instance as Banda agreed to Martse giving the tune a make-over.<\/p>\n<p>It is not just modern music that enjoys getting a complete remake. Some artists have equally gone for typical traditional songs.<\/p>\n<p>Take, for a example, the facelift that Tay Grin, Sangie, Tapps and Tsar Leo gave to the traditional song \u2018Kamwana kamwini\u2019 which people in the villages enjoy and has been adopted countless times by cultural troupes. Tay Grin, Sangie, Tapps and Tsar Leo titled theirs \u2018Mayo Mayo\u2019 and it certainly is a banger due to the fresh RnB appeal they gave the track (never mind the contentious lyrics).<\/p>\n<p>One thing is for sure; some songs are meant to be enjoyed forever and this we can be assured of, if modern day artists continue giving fresh appeal to timeless music.<\/p>\n<p>Stephen Dakalira is a seasoned Journalist who works as Times Group\u2019s Online and Digital Executive Editor. He is also the Assistant Editor of The Sunday Times Newspaper, and author of Full Circle column which appears in Malawi News; all of these under the Times Group stable.<\/p>\n<p>He has previously worked in key positions for some of Malawi\u2019s key media institutions such as Malawi News Agency, Capital FM Radio and Star Radio (Now Timveni Radio).<\/p>\n<p><strong>For More News And Analysis About <a href=\"https:\/\/www.africa-press.net\/malawi\">Malawi<\/a> Follow <a href=\"https:\/\/www.africa-press.net\/\">Africa-Press<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Africa-Press &#8211; Malawi. It is no easy task to re-work a song and still manage to maintain its original touch whilst fiddling with it, knowing fully well that the initial artist scaled lofty heights with the track. Not long ago in the United States, Etta James once chided famous RnB star Beyonce for not doing [&hellip;]<\/p>\n","protected":false},"author":84,"featured_media":23960,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,4,8],"tags":[233,371,234,4774,4772,4773],"class_list":["post-23961","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-all-news","category-culture-and-art","category-homepage-english","tag-africa-press","tag-africa-press-malawi","tag-malawi","tag-saleta-phiri","tag-san-b","tag-tay-bgrin"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.1 (Yoast SEO v27.0) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Giving refreshing appeal to timeless music - Malawi<\/title>\n<meta name=\"description\" content=\"It is no easy task to re-work a song and still manage to maintain its original touch whilst fiddling with it, knowing fu ...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.africa-press.net\/malawi\/all-news\/giving-refreshing-appeal-to-timeless-music\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Giving refreshing appeal to timeless music\" \/>\n<meta property=\"og:description\" content=\"It is no easy task to re-work a song and still manage to maintain its original touch whilst fiddling with it, knowing fu ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.africa-press.net\/malawi\/all-news\/giving-refreshing-appeal-to-timeless-music\" \/>\n<meta property=\"og:site_name\" content=\"Malawi\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/AfricaPressTunisiaa\" \/>\n<meta property=\"article:published_time\" content=\"2022-06-12T22:20:20+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-06-13T00:11:57+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/static.africa-press.net\/malawi\/sites\/36\/2022\/06\/postQueueImg_4.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"720\" \/>\n\t<meta property=\"og:image:height\" content=\"724\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"cfeditoren\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"cfeditoren\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.africa-press.net\/malawi\/all-news\/giving-refreshing-appeal-to-timeless-music#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.africa-press.net\/malawi\/all-news\/giving-refreshing-appeal-to-timeless-music\"},\"author\":{\"name\":\"cfeditoren\",\"@id\":\"https:\/\/www.africa-press.net\/malawi\/#\/schema\/person\/068c7ab4e9634ae78ec5d54ec46598bb\"},\"headline\":\"Giving refreshing appeal to timeless music\",\"datePublished\":\"2022-06-12T22:20:20+00:00\",\"dateModified\":\"2022-06-13T00:11:57+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.africa-press.net\/malawi\/all-news\/giving-refreshing-appeal-to-timeless-music\"},\"wordCount\":1135,\"commentCount\":0,\"image\":{\"@id\":\"https:\/\/www.africa-press.net\/malawi\/all-news\/giving-refreshing-appeal-to-timeless-music#primaryimage\"},\"thumbnailUrl\":\"https:\/\/static.africa-press.net\/malawi\/sites\/36\/2022\/06\/postQueueImg_4.jpg\",\"keywords\":[\"Africa Press\",\"Africa Press-Malawi\",\"Malawi\",\"Saleta Phiri\",\"San B\",\"Tay bGrin\"],\"articleSection\":[\"all news\",\"culture and art\",\"homepage-english\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.africa-press.net\/malawi\/all-news\/giving-refreshing-appeal-to-timeless-music#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.africa-press.net\/malawi\/all-news\/giving-refreshing-appeal-to-timeless-music\",\"url\":\"https:\/\/www.africa-press.net\/malawi\/all-news\/giving-refreshing-appeal-to-timeless-music\",\"name\":\"Giving refreshing appeal to timeless music - 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