{"id":10054,"date":"2023-11-12T19:25:48","date_gmt":"2023-11-12T19:25:48","guid":{"rendered":"https:\/\/www.africa-press.net\/sao-tome-e-principe\/politique\/au-cap-un-incontournable-musee-dart-contemporain-africain"},"modified":"2023-11-12T21:04:28","modified_gmt":"2023-11-12T21:04:28","slug":"au-cap-un-incontournable-musee-dart-contemporain-africain","status":"publish","type":"post","link":"https:\/\/www.africa-press.net\/sao-tome-e-principe\/culture-et-art\/au-cap-un-incontournable-musee-dart-contemporain-africain","title":{"rendered":"Au Cap, un incontournable mus\u00e9e d’art contemporain africain"},"content":{"rendered":"

Africa-Press – S\u00e3o Tom\u00e9 e Pr\u00edncipe. <\/strong><\/span>Sur le port du Cap, a\u0300 la pointe sud de l’Afrique, un muse\u0301e d’art contemporain fait des envieux: le Zeitz-MOCAA, repris en main par l’ambitieuse conservatrice camerounaise Koyo Kouoh, fait briller l’art du continent et de ses multiples diasporas.<\/p>\n

\u00ab\u00a0Pour moi, l’Afrique est une ide\u0301e, une histoire qui de\u0301passe les frontie\u0300res\u00a0\u00bb, explique cette femme e\u0301le\u0301gante de 56 ans, longues tresses vertes et regard vif.<\/p>\n

\u00ab\u00a0Je dis souvent a\u0300 nos visiteurs ame\u0301ricains que les Etats-Unis aussi sont un pays africain. Ils n’aiment pas entendre c\u0327a\u00a0\u00bb, s’amuse-t-elle, un brin provocatrice mais pourtant tre\u0300s se\u0301rieuse. Tout comme le Bre\u0301sil, Cuba ou Hai\u0308ti.<\/p>\n

\u00ab\u00a0Ce qui fait un pays, c’est l’agre\u0301gation et la combinaison d’expressions et d’influences culturelles. Or l’influence africaine aux E\u0301tats-Unis comme dans ces autres pays est inde\u0301niable\u00a0\u00bb, dit-elle.<\/p>\n

\u00ab\u00a0C’est pourquoi j’aime parler de ge\u0301ographies noires, plus que de diasporas africaines. La\u0300 ou\u0300 la culture noire, les corps noirs, les personnes noires ont influence\u0301 la socie\u0301te\u0301\u00a0\u00bb, dit-elle.<\/p>\n

Arrive\u0301e a\u0300 la te\u0302te de ce muse\u0301e il y a quatre ans, Koyo Kouoh, e\u0301leve\u0301e entre Douala et Zurich et qui a notamment monte\u0301 un centre d’art pointu a\u0300 Dakar, a repense\u0301 entie\u0300rement ses contenus.<\/p>\n

Elle a remodele\u0301 ce premier muse\u0301e d’art africain d’envergure, avec lequel les grandes institutions new-yorkaises ou europe\u0301ennes veulent aujourd’hui collaborer.<\/p>\n

Dans cet ancien silo a\u0300 ble\u0301, graphique et e\u0301pure\u0301, qui e\u0301voque une ruche aux multiples alve\u0301oles, elle a he\u0301rite\u0301 d’une institution \u00ab\u00a0en panne\u00a0\u00bb. ou\u0300 l’urgence e\u0301tait selon elle \u00ab\u00a0d’apporter une structure programmatique\u00a0\u00bb pour forger une identite\u0301, une particularite\u0301.<\/p>\n

Elle a cherche\u0301 a\u0300 \u00ab\u00a0examiner les besoins, le type de valeur ajoute\u0301e que le muse\u0301e peut apporter a\u0300 la compre\u0301hension, la contemplation, l’appre\u0301ciation\u00a0\u00bb de l’art contemporain d’Afrique et de ses diasporas.<\/p>\n

Afrique stigmatise\u0301e<\/b><\/p>\n

Le panafricanisme, \u00ab\u00a0pour moi est une e\u0301vidence, il est ne\u0301cessaire\u00a0\u00bb: \u00ab\u00a0Le re\u0301cit du continent a e\u0301te\u0301 largement de\u0301fini par d’autres et c’est encore le cas aujourd’hui\u00a0\u00bb, estime-t-elle.<\/p>\n

Des de\u0301cennies apre\u0300s la fin du colonialisme, au cours desquelles \u00ab\u00a0de nombreuses voix ont pourtant e\u0301merge\u0301 et gagne\u0301 en autorite\u0301\u00a0\u00bb en Afrique, \u00ab\u00a0les stigmates sont toujours extre\u0302mement actifs, que vous les adoptiez, que vous les inte\u0301riorisiez ou non\u00a0\u00bb.<\/p>\n

La saisissante exposition \u00ab\u00a0chercheurs, voyants et devins\u00a0\u00bb, actuellement pre\u0301sente\u0301e aux visiteurs, explore, via des projections de photos ou vide\u0301os sur les murs ou diffe\u0301rentes installations textiles, une sphe\u0300re spirituelle voire surnaturelle.<\/p>\n

\u00ab\u00a0Il est absolument ne\u0301cessaire d’apporter d’autres histoires sur la table. Et non comme un moyen de correction, je n’ai aucun inte\u0301re\u0302t a\u0300 corriger, je ne posse\u0300de pas et n’inte\u0301riorise pas l’histoire errone\u0301e. Mais il faut s’approprier l’espace\u00a0\u00bb, juge-t-elle.<\/p>\n

Dans l’urgence a\u0300 faire e\u0301merger des re\u0301cits du continent, les conservateurs africains ont eu tendance a\u0300 monter des expositions groupe\u0301es. \u00ab\u00a0Nous voulions raconter des histoires a\u0300 plusieurs voix\u00a0\u00bb.<\/p>\n

Aujourd’hui, elle pre\u0301fe\u0300re favoriser des espaces de\u0301die\u0301s a\u0300 un ou une seule artiste. \u00ab\u00a0C’est un format d’une grande richesse. Lorsqu’on conc\u0327oit une exposition de groupe, on espe\u0300re cre\u0301er une symphonie, mais la plupart du temps, on engendre une cacophonie\u00a0\u00bb.<\/p>\n

Avec l’expo solo, \u00ab\u00a0vous avez une ve\u0301ritable symphonie d’expe\u0301riences et d’univers\u00a0\u00bb, rele\u0300ve-t-elle. Me\u0302me si elle ne s’interdit rien.<\/p>\n

Ainsi la re\u0301cente exposition \u00ab\u00a0When we see us\u00a0\u00bb (\u00ab\u00a0Quand nous nous voyons\u00a0\u00bb) du MOCAA, qui pre\u0301sente un sie\u0300cle de peinture figurative africaine, doit quitter Le Cap pour e\u0302tre montre\u0301e biento\u0302t a\u0300 Ba\u0302le (Suisse).<\/p>\n

Le muse\u0301e est de\u0301sormais reconnu mondialement pour son travail panafricain et pandiasporique. \u00ab\u00a0C’est le seul qui a cette ambition\u00a0\u00bb, insiste Koyo Kouoh, dans l’ascenseur panoramique qui offre une vue plongeante sur le hall d’entre\u0301e de l’imposant ba\u0302timent industriel.<\/p>\n

Elle veut de\u0301sormais se concentrer sur trois priorite\u0301s: exposer des talents e\u0301mergents, aux co\u0302te\u0301s d’artistes confirme\u0301s, mais aussi offrir une plateforme d’envergure aux femmes artistes, et ce\u0301le\u0301brer \u00ab\u00a0des pratiques qui n’ont pas rec\u0327u la reconnaissance qu’elles me\u0301ritent\u00a0\u00bb.<\/p>\n

\u00ab\u00a0Nous sommes le seul muse\u0301e a\u0300 avoir expose\u0301 autant de femmes artistes africaines\u00a0\u00bb, souligne-t-elle, se de\u0301fendant de tout militantisme mais se disant de\u0301termine\u0301e a\u0300 les \u00ab\u00a0promouvoir avec force\u00a0\u00bb.<\/p>\n

Pour plus d’informations et d’analyses sur la S\u00e3o Tom\u00e9 e Pr\u00edncipe<\/a>, suivez Africa-Press<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Africa-Press – S\u00e3o Tom\u00e9 e Pr\u00edncipe. Sur le port du Cap, a\u0300 la pointe sud de l’Afrique, un muse\u0301e d’art contemporain fait des envieux: le Zeitz-MOCAA, repris en main par l’ambitieuse conservatrice camerounaise Koyo Kouoh, fait briller l’art du continent et de ses multiples diasporas. \u00ab\u00a0Pour moi, l’Afrique est une ide\u0301e, une histoire qui de\u0301passe […]<\/p>\n","protected":false},"author":82,"featured_media":10053,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,10],"tags":[36,55,56],"class_list":["post-10054","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture-et-art","category-toutes-les-actualites","tag-africa-press","tag-africa-press-sao-tome-e-principe","tag-sao-tome-e-principe"],"yoast_head":"\nAu Cap, un incontournable mus\u00e9e d'art contemporain africain - S\u00e3o Tom\u00e9 e Pr\u00edncipe<\/title>\n<meta name=\"description\" content=\"Sur le port du 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