{"id":10963,"date":"2021-07-15T19:49:25","date_gmt":"2021-07-15T19:49:25","guid":{"rendered":"https:\/\/www.africa-press.net\/senegal\/?p=10963"},"modified":"2021-07-15T19:40:14","modified_gmt":"2021-07-15T19:40:14","slug":"aminata-ndiaye-leclerc-rehabilite-son-pere-a-cannes","status":"publish","type":"post","link":"https:\/\/www.africa-press.net\/senegal\/culture-et-art\/aminata-ndiaye-leclerc-rehabilite-son-pere-a-cannes","title":{"rendered":"Aminata N\u2019Diaye Leclerc r\u00e9habilite son p\u00e8re \u00e0 Cannes"},"content":{"rendered":"

Africa-Press<\/a> – Senegal<\/a>. <\/strong><\/span>La r\u00e9alisatrice Amina Ndiaye-Leclerc exhume une partie de l\u2019histoire politique du S\u00e9n\u00e9gal postind\u00e9pendance pour r\u00e9habiliter la m\u00e9moire de son p\u00e8re dans un film projet\u00e9 en avant-premi\u00e8re \u00e0 la 74e \u00e9dition du festival de Cannes (6-17juillet). Intitul\u00e9 \u00ab\u00a0Valdiodio N\u2019Diaye, un proc\u00e8s pour l\u2019histoire\u00a0\u00bb, ce documentaire d\u2019une heure et demie revient sur le proc\u00e8s de 1963 survenu apr\u00e8s la crise politique de 1962 avec la chute de Mamadou Dia, alors pr\u00e9sident du Conseil du gouvernement s\u00e9n\u00e9galais.<\/p>\n

Aminata Ndiaye-Leclerc aborde ces \u00e9v\u00e8nements avec la volont\u00e9 de \u00ab\u00a0r\u00e9tablir une v\u00e9rit\u00e9 occult\u00e9e\u00a0\u00bb du pass\u00e9 de ce jeune Etat dirig\u00e9 \u00e0 l\u2019\u00e9poque par le pr\u00e9sident L\u00e9opold S\u00e9dar Senghor.<\/p>\n

Le film s\u2019ouvre sur Kaolack, r\u00e9gion d\u2019o\u00f9 est originaire Valdiodio Ndiaye, un plan panoramique film\u00e9 par drone montrant des \u00e9tendus de terres sal\u00e9s, des \u00ab\u00a0tans\u00a0\u00bb, images accompagn\u00e9es par un chant traditionnel mandingue \u00ab\u00a0Miniyamba\u00a0\u00bb de Djaarra Dieng accompagn\u00e9e \u00e0 la fl\u00fbte par Benjamin Bailly.<\/p>\n

Une entr\u00e9e en mati\u00e8re lyrique qui lui permet de mettre en sc\u00e8ne un homme solitaire avan\u00e7ant seul sur sa charrette pour raconter son exil.<\/p>\n

Valdiodio Ndiaye est celui qui a prononc\u00e9 le discours pour l\u2019ind\u00e9pendance du S\u00e9n\u00e9gal devant le g\u00e9n\u00e9ral De Gaulle \u00e0 la place Prot\u00eat aujourd\u2019hui devenue place de l\u2019ind\u00e9pendance.<\/p>\n

La r\u00e9alisatrice s\u2019approprie cette histoire collective pour en faire sa propre lecture et d\u00e9clarer son p\u00e8re \u00ab\u00a0innocent\u00a0\u00bb des accusations de coup d\u2019Etat port\u00e9es contre lui en 1963.<\/p>\n

Mais la r\u00e9alisatrice en profite pour revenir sur l\u2019histoire de l\u2019Afrique et du S\u00e9n\u00e9gal en particulier, une histoire \u00ab\u00a0truff\u00e9e de non-dits mais aussi de mensonges d\u2019Etat\u00a0\u00bb, confiait Amina Ndiaye-Leclerc dans un entretien accord\u00e9 \u00e0 l\u2019APS apr\u00e8s une projection priv\u00e9e de son film \u00e0 l\u2019espace Col\u00e9 Ardo Sow de Dakar.<\/p>\n

Une c\u00e9l\u00e8bre citation du Congolais Patrice Lumumba (\u00ab\u00a0L\u2019Afrique \u00e9crira sa propre histoire et elle sera\u2026 une histoire de gloire et de dignit\u00e9\u00a0\u00bb), reprise dans le film, en dit long sur la perspective presque militante de la cin\u00e9aste.<\/p>\n

\u00ab\u00a0Le proc\u00e8s de 1963 ne fait pas vraiment partie des livres d\u2019histoire, comme le dit Me Robert Badinter (Fran\u00e7ais avocat de Valdiodio Ndiaye) dans le film<\/p>\n

: + il reste un clair-obscur voulu et entretenu dans cette affaire +. Il devenait n\u00e9cessaire d\u2019\u00e9claircir la part d\u2019ombre\u00a0\u00bb des faits en question, explique-t-elle.<\/p>\n

Valdiodio Ndiaye, 40 ans, a lutt\u00e9 pour l\u2019ind\u00e9pendance de son pays, devenant ministre de l\u2019Int\u00e9rieur dans le premier gouvernement du S\u00e9n\u00e9gal dirig\u00e9 par Mamadou Dia. Il est accus\u00e9 de tentative de coup d\u2019Etat le 7 mai 1963, avec d\u2019autres consid\u00e9r\u00e9s comme des fid\u00e8les du pr\u00e9sident du Conseil du gouvernement s\u00e9n\u00e9galais.<\/p>\n

\u00ab\u00a0Je suis innocent\u00a0\u00bb, d\u00e9clare-t-il d\u00e8s l\u2019entame du film totalement ax\u00e9 sur Valdiodio Ndiaye, m\u00eame si les faits qui lui sont reproch\u00e9s concernent aussi ses quatre cod\u00e9tenus.<\/p>\n

Il s\u2019agit de Ibrahima Sarr, ministre du D\u00e9veloppement, Joseph Mbaye, ministre des Transports et des T\u00e9l\u00e9communications, Alioune Tall, ministre de l\u2019Information, et Mamadou Dia, pr\u00e9sident du Conseil qui a fait l\u2019objet d\u2019un film documentaire r\u00e9alis\u00e9 en 2012 par le cin\u00e9aste Ousmane William Mbaye.<\/p>\n

Le film montre le palais de Justice du Cap Manuel ayant abrit\u00e9 le proc\u00e8s. Les images qu\u2019il projette de ces lieux montrent un espace d\u00e9labr\u00e9, occup\u00e9 aujourd\u2019hui par des ch\u00e8vres errantes. Comme pour montrer toute l\u2019indiff\u00e9rence manifest\u00e9e vis-\u00e0-vis de cet \u00e9pisode pourtant fondamental de l\u2019histoire s\u00e9n\u00e9galaise.<\/p>\n

Des t\u00e9moins de cette p\u00e9riode de l\u2019histoire du S\u00e9n\u00e9gal parmi lesquels le Fran\u00e7ais Robert Badinter et les S\u00e9n\u00e9galais Abdoulaye Wade, avocats de Valdiodio Ndiaye, de m\u00eame que Ousmane Camara, procureur g\u00e9n\u00e9ral lors du proc\u00e8s de 1963 apportent tout leur poids \u00e0 ce film dont l\u2019ambition est de \u00ab\u00a0r\u00e9tablir la v\u00e9rit\u00e9\u00a0\u00bb.<\/p>\n

Il y a aussi Roland Colin, le directeur de cabinet de Mamadou Dia de 1958-1962, des historiens tels que Samba Ka, le chercheur Pape Mass\u00e8ne S\u00e8ne, le psychologue Serigne Mor Mbaye, le b\u00e2tonnier de l\u2019Ordre des avocats de Dakar, Me Papa La\u00efty Ndiaye, qui demande explicitement la r\u00e9vision du proc\u00e8s de 1963.<\/p>\n

Un proc\u00e8s d\u2019importance \u00e9gale \u00e0 celui du Mar\u00e9chal P\u00e9tain (ancien ministre des Arm\u00e9es de la France) et des assassins du pr\u00e9sident Kennedy pour les Am\u00e9ricains.<\/p>\n

\u00ab\u00a0Nous sommes tous confront\u00e9s \u00e0 un devoir de m\u00e9moire\u00a0\u00bb, avance la cin\u00e9aste pour expliquer sa d\u00e9marche et les \u00ab\u00a0multiples raisons\u00a0\u00bb qui l\u2019ont pouss\u00e9e \u00e0 s\u2019engager dans cette r\u00e9alisation.<\/p>\n

\u00ab\u00a0Il y avait la n\u00e9cessit\u00e9 imp\u00e9rieuse pour moi de r\u00e9tablir la v\u00e9rit\u00e9 des \u00e9v\u00e8nements de 1962 et rendre compte de l\u2019emprisonnement \u00e0 K\u00e9dougou. \u2026, quand vous \u00e9tiez au courant de ce qui s\u2019\u00e9tait pass\u00e9, il \u00e9tait impossible de ne pas les d\u00e9noncer\u00a0\u00bb, fait-elle valoir.<\/p>\n

Mamadou Dia sera condamn\u00e9 \u00e0 perp\u00e9tuit\u00e9, tandis que ses quatre ministres \u00e9coperont de 20 ans d\u2019emprisonnement. Ils seront graci\u00e9s onze ans plus tard, avant d\u2019\u00eatre finalement amnisti\u00e9s en 1976.<\/p>\n

Si Amina Ndiaye-Leclerc r\u00e9vise le proc\u00e8s de 1963 \u00e0 travers ce film, c\u2019est pour accuser ouvertement L\u00e9opold S\u00e9dar Senghor et la Fran\u00e7afrique d\u2019avoir tout orchestr\u00e9.<\/p>\n

Elle parle des origines de son p\u00e8re avec l\u2019organisation du pouvoir traditionnel dans les royaumes s\u00e9n\u00e9galais et la Charte de Kouroukanfougan, une mani\u00e8re, dit-elle, de montrer \u00e0 l\u2019ancien pr\u00e9sident fran\u00e7ais Nicolas Sarkozy que \u00ab\u00a0l\u2019Afrique a belle et bien une histoire\u00a0\u00bb.<\/p>\n

Elle rappelle que Sarkozy \u00e9tait \u00ab\u00a0venu \u00e0 Dakar pour nous expliquer que nous n\u2019avions pas d\u2019histoire. L\u00e0-aussi c\u2019est un d\u00e9menti fort que les Occidentaux entendront\u00a0\u00bb.<\/p>\n

La r\u00e9alisatrice note que d\u00e9j\u00e0, apr\u00e8s la projection de son film \u00e0 Cannes, \u00ab\u00a0un journaliste a soulign\u00e9 l\u2019importance de cette histoire des royaumes\u00a0\u00bb.<\/p>\n

Ce film, en plus des discours, photos ou vid\u00e9os d\u2019archives, est un alliage de coupures de presse, de dessins d\u2019art, avec en particulier une image parlante de deux b\u0153ufs qui s\u2019affrontent, une belle m\u00e9taphore de la confrontation entre Mamadou Dia et L\u00e9opold Senghor.<\/p>\n

\u00ab\u00a0Valdiodio N\u2019Diaye, un proc\u00e8s pour l\u2019histoire\u00a0\u00bb a obtenu le soutien du Fonds de promotion de l\u2019industrie cin\u00e9matographique et audiovisuelle (FOPICA) et du<\/p>\n

Fonds Image de la Francophonie. Il sera diffus\u00e9 en septembre sur TV5 Monde.<\/p>\n

Apr\u00e8s Ousmane William Mbaye et son film sur Mamadou Dia, Amina Ndiaye-Leclerc apporte sa part d\u2019\u00e9clairage et de v\u00e9rit\u00e9 \u00e0 cet \u00e9pisode de l\u2019histoire du S\u00e9n\u00e9gal, permettant \u00e0 la jeune g\u00e9n\u00e9ration d\u2019avoir une autre lecture de la crise politique au S\u00e9n\u00e9gal de 1962.<\/p>\n","protected":false},"excerpt":{"rendered":"

Africa-Press – Senegal. La r\u00e9alisatrice Amina Ndiaye-Leclerc exhume une partie de l\u2019histoire politique du S\u00e9n\u00e9gal postind\u00e9pendance pour r\u00e9habiliter la m\u00e9moire de son p\u00e8re dans un film projet\u00e9 en avant-premi\u00e8re \u00e0 la 74e \u00e9dition du festival de Cannes (6-17juillet). Intitul\u00e9 \u00ab\u00a0Valdiodio N\u2019Diaye, un proc\u00e8s pour l\u2019histoire\u00a0\u00bb, ce documentaire d\u2019une heure et demie revient sur le proc\u00e8s […]<\/p>\n","protected":false},"author":82,"featured_media":10962,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,11,10],"tags":[43,47,44],"class_list":["post-10963","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture-et-art","category-homepage-french","category-toutes-les-actualites","tag-africa-press-2","tag-africa-press-senegal","tag-senegal-2"],"yoast_head":"\nAminata N\u2019Diaye Leclerc r\u00e9habilite son p\u00e8re \u00e0 Cannes - Senegal<\/title>\n<meta name=\"description\" content=\"Dakar, 15 juil (APS) - La r\u00e9alisatrice Amina Ndiaye-Leclerc exhume une partie de l\u2019histoire politique du S\u00e9n\u00e9gal postind ...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.africa-press.net\/senegal\/culture-et-art\/aminata-ndiaye-leclerc-rehabilite-son-pere-a-cannes\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aminata N\u2019Diaye Leclerc r\u00e9habilite son p\u00e8re \u00e0 Cannes\" \/>\n<meta property=\"og:description\" content=\"Dakar, 15 juil (APS) - 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