{"id":34916,"date":"2022-11-03T04:13:50","date_gmt":"2022-11-03T04:13:50","guid":{"rendered":"https:\/\/www.africa-press.net\/senegal\/politique\/la-resilience-feminine-au-coeur-du-dernier-long-metrage-de-moussa-sene-absa"},"modified":"2022-11-03T04:20:33","modified_gmt":"2022-11-03T04:20:33","slug":"la-resilience-feminine-au-coeur-du-dernier-long-metrage-de-moussa-sene-absa","status":"publish","type":"post","link":"https:\/\/www.africa-press.net\/senegal\/culture-et-art\/la-resilience-feminine-au-coeur-du-dernier-long-metrage-de-moussa-sene-absa","title":{"rendered":"LA R\u00c9SILIENCE F\u00c9MININE AU C\u0152UR DU DERNIER LONG M\u00c9TRAGE DE MOUSSA S\u00c8NE ABSA"},"content":{"rendered":"

Africa-Press – Senegal. <\/strong><\/span>Le re\u0301alisateur se\u0301ne\u0301galais Moussa Se\u0300ne Absa magnifie la re\u0301silience fe\u0301minine qui triomphe des traumatismes sociaux, dans son dernier long me\u0301trage fiction intitule\u0301 \u00ab\u00a0Xale\u0301\u00a0\u00bb, les blessures de l\u2019enfance\u00a0\u00bb, lequel traite des proble\u0300mes d\u2019une jeunesse \u00ab\u00a0viole\u0301e\u00a0\u00bb, en me\u0302me temps qu\u2019il met en exergue la violence faite aux femmes.<\/p>\n

Ce film a e\u0301te\u0301 pre\u0301sente\u0301, mardi, a\u0300 la Cite\u0301 de la culture de Tunis, dans le cadre de la 33e e\u0301dition des Journe\u0301es cine\u0301matographiques de Carthage (JCC). Une premie\u0300re africaine pour ce long me\u0301trage en lice pour \u00ab\u00a0le Tanit d\u2019or\u00a0\u00bb, re\u0301compense supre\u0302me de ce festival.<\/p>\n

Il raconte la vie de Awa, viole\u0301e par son oncle Atoumane, a\u0300 l\u2019a\u0302ge de douze ans, brisant le re\u0302ve d\u2019une future intellectuelle qui finalement se limite a\u0300 ge\u0301rer un salon de coiffure et a\u0300 e\u0301lever sa fille fruit de ce \u00ab\u00a0crime\u00a0\u00bb.<\/p>\n

Le film brosse aussi la vie d\u2019autres personnages, des \u00ab\u00a0femmes fortes\u00a0\u00bb qui malgre\u0301 les traumatismes, arrivent a\u0300 s\u2019en sortir, a\u0300 l\u2019image de Fatou, une femme battue dont le personnage est interpre\u0301te\u0301 par l\u2019actrice Rokhaya Niang.<\/p>\n

Pour Moussa Se\u0300ne Absa, \u00ab\u00a0Xale\u0301, les blessures de l\u2019enfance\u00a0\u00bb se veut un hommage a\u0300 la femme qui se bat au quotidien.<\/p>\n

\u00ab\u00a0C\u2019est un conte moderne ou\u0300 j\u2019aborde comme un fil rouge les proble\u0300mes de la jeunesse, mais aussi ceux de la socie\u0301te\u0301\u00a0\u00bb, a dit le re\u0301alisateur, qui a eu droit a\u0300 des applaudissements nourris a\u0300 la fin de la projection de son film.<\/p>\n

Comme a\u0300 son habitude, Moussa Se\u0300ne Absa raconte cette histoire avec une ramification vers d\u2019autres petits re\u0301cits, le tout accompagne\u0301 par des airs traditionnels chante\u0301s a capella par des griottes.<\/p>\n

Le re\u0301alisateur met aussi en exergue a\u0300 l\u2019e\u0301cran tout le talent reconnu des fre\u0300res Guisse\u0301, acteurs et chanteurs.<\/p>\n

\u00ab\u00a0J\u2019aime e\u0302tre dans la foule porteuse de voix, de re\u0301cit\u00a0\u00bb, lance Moussa Se\u0300ne Absa, qui dit avoir toujours e\u0301te\u0301 accompagne\u0301 pendant son enfance par des \u00ab\u00a0voix belles et fortes\u00a0\u00bb.<\/p>\n

\u00ab\u00a0Je suis d\u2019une tradition orale tre\u0300s forte, je viens d\u2019une famille griotte\u00a0\u00bb, ajoute le re\u0301alisateur, dont le film, par le biais d\u2019un re\u0301cit contemporain, tente une traduction en image de \u00ab\u00a0la mythologie du sacrifice, de la purification, de la punition\u00a0\u00bb. Il s\u2019appuie pour cela sur des femmes chanteuses habille\u0301es parfois en blanc caftan, parfois en rouge, selon le contexte.<\/p>\n

Ce faisant, Moussa Se\u0300ne Absa sugge\u0300re un re\u0300glement a\u0300 l\u2019ancienne des proble\u0300mes sociaux au sein de la communaute\u0301, \u2019\u2019laver le linge sale en famille\u00a0\u00bb, comme on le dit commune\u0301ment.<\/p>\n

\u00ab\u00a0Xale\u0301, les blessures de l\u2019enfance\u00a0\u00bb se traduit aussi par un discours e\u0301minemment politique, quand par exemple un des acteurs s\u2019adressant a\u0300 son pe\u0300re pour justifier son de\u0301part vers l\u2019Europe soutient que \u00ab\u00a0les politiciens ont ga\u0302che\u0301 le pays\u00a0\u00bb.<\/p>\n

\u00ab\u00a0C\u2019est le discours de tous les jeunes, estime Moussa Se\u0300ne Absa. Je n\u2019ai rien e\u0301crit de cette phrase. On l\u2019entend a\u0300 longueur de journe\u0301e, c\u2019est comme un ch\u0153ur\u00a0\u00bb, insiste-t-il.<\/p>\n

Le de\u0301cor de \u00ab\u00a0Xale\u0301, les blessures de l\u2019enfance\u00a0\u00bb renvoie a\u0300 celui des pre\u0301ce\u0301dents films de Moussa Se\u0300ne Absa, qui s\u2019inspirent de quartiers tels que Yarakh ou Bel Air. Comme cela se voit dans \u00ab\u00a0Tableau ferraille\u00a0\u00bb (1997) ou \u00ab\u00a0Madame brouette\u00a0\u00bb (2002).<\/p>\n

Le re\u0301alisateur filme aussi le vieux ba\u0302timent de Se\u0301bi-Ponty, \u00ab\u00a0les ruines de l\u2019Afrique\u00a0\u00bb, un endroit qui a vu de\u0301filer les grands intellectuels du continent africain, un parti pris qui donne un caracte\u0300re socio-politique a\u0300 son film.<\/p>\n

Le nouvel long me\u0301trage de Moussa Se\u0300ne Absa a obtenu la plus grande part de son financement du Fonds de promotion de l\u2019industrie cine\u0301matographique et audiovisuelle du Se\u0301ne\u0301gal (FOPICA) et du Fonds de soutien a\u0300 l\u2019industrie cine\u0301matographique de Co\u0302te d\u2019Ivoire.<\/p>\n

Ce film de\u0301ja\u0300 projete\u0301 a\u0300 Londres et a\u0300 New-York, sera de\u0301couvert par le public dakarois le 15 novembre prochain.<\/p>\n

Pour plus d’informations et d’analyses sur la Senegal<\/a>, suivez Africa-Press<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Africa-Press – Senegal. Le re\u0301alisateur se\u0301ne\u0301galais Moussa Se\u0300ne Absa magnifie la re\u0301silience fe\u0301minine qui triomphe des traumatismes sociaux, dans son dernier long me\u0301trage fiction intitule\u0301 \u00ab\u00a0Xale\u0301\u00a0\u00bb, les blessures de l\u2019enfance\u00a0\u00bb, lequel traite des proble\u0300mes d\u2019une jeunesse \u00ab\u00a0viole\u0301e\u00a0\u00bb, en me\u0302me temps qu\u2019il met en exergue la violence faite aux femmes. Ce film a e\u0301te\u0301 pre\u0301sente\u0301, mardi, […]<\/p>\n","protected":false},"author":82,"featured_media":34915,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,49,10],"tags":[43,47,44],"class_list":["post-34916","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture-et-art","category-to-homepage","category-toutes-les-actualites","tag-africa-press-2","tag-africa-press-senegal","tag-senegal-2"],"yoast_head":"\nLA R\u00c9SILIENCE F\u00c9MININE AU C\u0152UR DU DERNIER LONG M\u00c9TRAGE DE MOUSSA S\u00c8NE ABSA - Senegal<\/title>\n<meta name=\"description\" content=\"Le re\u0301alisateur se\u0301ne\u0301galais Moussa Se\u0300ne Absa magnifie la re\u0301silience fe\u0301minine qui triomphe des traumatismes sociaux, ...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.africa-press.net\/senegal\/culture-et-art\/la-resilience-feminine-au-coeur-du-dernier-long-metrage-de-moussa-sene-absa\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LA R\u00c9SILIENCE F\u00c9MININE AU C\u0152UR DU DERNIER LONG M\u00c9TRAGE DE MOUSSA S\u00c8NE ABSA\" \/>\n<meta property=\"og:description\" content=\"Le re\u0301alisateur se\u0301ne\u0301galais Moussa Se\u0300ne Absa magnifie la re\u0301silience fe\u0301minine qui triomphe des traumatismes sociaux, ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.africa-press.net\/senegal\/culture-et-art\/la-resilience-feminine-au-coeur-du-dernier-long-metrage-de-moussa-sene-absa\" \/>\n<meta property=\"og:site_name\" content=\"Senegal\" \/>\n<meta property=\"article:published_time\" content=\"2022-11-03T04:13:50+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-11-03T04:20:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/static.africa-press.net\/senegal\/sites\/13\/2022\/11\/postQueueImg_1-6363416056742.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1280\" \/>\n\t<meta property=\"og:image:height\" content=\"720\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"cfeditorfr\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"cfeditorfr\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.africa-press.net\/senegal\/culture-et-art\/la-resilience-feminine-au-coeur-du-dernier-long-metrage-de-moussa-sene-absa#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.africa-press.net\/senegal\/culture-et-art\/la-resilience-feminine-au-coeur-du-dernier-long-metrage-de-moussa-sene-absa\"},\"author\":{\"name\":\"cfeditorfr\",\"@id\":\"https:\/\/www.africa-press.net\/senegal\/#\/schema\/person\/2b1cf3cd81a31e3cd26889ca66d677f1\"},\"headline\":\"LA R\u00c9SILIENCE F\u00c9MININE AU C\u0152UR DU DERNIER LONG M\u00c9TRAGE DE MOUSSA S\u00c8NE ABSA\",\"datePublished\":\"2022-11-03T04:13:50+00:00\",\"dateModified\":\"2022-11-03T04:20:33+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.africa-press.net\/senegal\/culture-et-art\/la-resilience-feminine-au-coeur-du-dernier-long-metrage-de-moussa-sene-absa\"},\"wordCount\":734,\"commentCount\":0,\"image\":{\"@id\":\"https:\/\/www.africa-press.net\/senegal\/culture-et-art\/la-resilience-feminine-au-coeur-du-dernier-long-metrage-de-moussa-sene-absa#primaryimage\"},\"thumbnailUrl\":\"https:\/\/static.africa-press.net\/senegal\/sites\/13\/2022\/11\/postQueueImg_1-6363416056742.jpg\",\"keywords\":[\"Africa Press\",\"Africa Press-Senegal\",\"Senegal\"],\"articleSection\":[\"Culture et Art\",\"to-homepage\",\"Toutes les actualit\u00e9s\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.africa-press.net\/senegal\/culture-et-art\/la-resilience-feminine-au-coeur-du-dernier-long-metrage-de-moussa-sene-absa#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.africa-press.net\/senegal\/culture-et-art\/la-resilience-feminine-au-coeur-du-dernier-long-metrage-de-moussa-sene-absa\",\"url\":\"https:\/\/www.africa-press.net\/senegal\/culture-et-art\/la-resilience-feminine-au-coeur-du-dernier-long-metrage-de-moussa-sene-absa\",\"name\":\"LA R\u00c9SILIENCE F\u00c9MININE AU C\u0152UR DU DERNIER LONG M\u00c9TRAGE DE MOUSSA S\u00c8NE ABSA - 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