{"id":7651,"date":"2022-07-10T15:15:34","date_gmt":"2022-07-10T15:15:34","guid":{"rendered":"https:\/\/www.africa-press.net\/togo\/politique\/chronique-le-talking-drum-ou-le-tambour-parlant-de-lidentite-africaine-a-la-communication-melodieuse"},"modified":"2022-07-10T15:20:25","modified_gmt":"2022-07-10T15:20:25","slug":"chronique-le-talking-drum-ou-le-tambour-parlant-de-lidentite-africaine-a-la-communication-melodieuse","status":"publish","type":"post","link":"https:\/\/www.africa-press.net\/togo\/culture-et-art\/chronique-le-talking-drum-ou-le-tambour-parlant-de-lidentite-africaine-a-la-communication-melodieuse","title":{"rendered":"[Chronique] LE TALKING DRUM OU LE TAMBOUR PARLANT: DE L\u2019IDENTIT\u00c9 AFRICAINE \u00c0 LA COMMUNICATION M\u00c9LODIEUSE."},"content":{"rendered":"

Africa-Press – Togo. <\/strong><\/span>De cette percussion accord\u00e9e comme avec un piano ou ajust\u00e9e comme les cordes d\u2019une guitare, les notes musicales qui s\u2019\u00e9chappent \u00e0 la partie (ci-dessous) en Yoruba, pourtant r\u00e9cit\u00e9 du morceau culte \u201cUpheaval\u201d de Nel Oliver, saisissent l\u2019attention et l\u2019oreille musicale. Elles r\u00e9sonnent dans une cadence enjou\u00e9e gr\u00e2ce \u00e0 cet instrument jalousement gard\u00e9 entre le corps et le bras du drummer qui \u00e0 coups r\u00e9guliers ou irreguliers donnent le ton:<\/p>\n

\u201cEh dja owo ibi si le<\/p>\n

Eh dja owo ibi si le<\/p>\n

Atin egnan dou dou<\/p>\n

Ka gbe dje<\/p>\n

Atin egnan foun foun<\/p>\n

Eh dja owo ibi si le<\/p>\n

E che ara gnin lokan<\/p>\n

E kpakpo<\/p>\n

Eche ara gnin lokan<\/p>\n

Ati egnan dou dou<\/p>\n

Ka gbe dje<\/p>\n

Ati egnan foun foun<\/p>\n

E che ara gnin lokan\u201d.<\/p>\n

Pour ne citer que ces grands noms de la musique d\u2019ici et d\u2019ailleurs, la musique du doyen Nel Oliver, de la grande Zeynab Habib, de Jah Baba, du myst\u00e9rieux chanteur nig\u00e9rian Lagbadja, de la belle Yemi Alad\u00e9, de l\u2019intr\u00e9pide Naira Marley et de quelques autres de l\u2019ancienne et de la nouvelle g\u00e9n\u00e9ration ont en partage du traditionnel sensationnel, des notes ou mieux, des couleurs et odeurs culturelles. Quelque chose de typiquement africain s\u2019en d\u00e9gage pour enchanter les m\u00e9lomanes b\u00e9ninois en particulier et africains en g\u00e9n\u00e9ral.<\/p>\n

Comme le son \u00e9lastique, lent, ralenti, acc\u00e9l\u00e9r\u00e9, l\u00e9ger, lourd, bien mesur\u00e9, dos\u00e9 et pes\u00e9, sensible et parfois agressif de cet instrument qui tourne et qui semble venir des profondeurs d\u2019un couloir, avec un \u00e9cho joli \u00e0 entendre, tels une mati\u00e8re, une forme, un objet, magnifiquement sculpt\u00e9(e)s duquel jaillit une multitude de sons et de tons coh\u00e9rents et rythm\u00e9s, cet instrument au c\u0153ur d\u2019une musique l\u2019enrichit et ajoute une plus-value \u00e0 l\u2019art musical des chanteurs qui s\u2019en servent comme \u201cingr\u00e9dient\u201d dans la composition et l\u2019arrangement de leurs morceaux.<\/p>\n

Avec le talent, l\u2019expertise, le savoir-faire et les coups tant\u00f4t doux, tant\u00f4t m\u00e9chants donn\u00e9s sur sa surface avec un b\u00e2ton sp\u00e9cial, le talking drum puisqu\u2019il s\u2019agit de cet instrument, vient donner une touche sp\u00e9ciale et agr\u00e9ment\u00e9e \u00e0 la musique. En m\u00eame temps, il avait semble t-il \u00e9t\u00e9 cr\u00e9\u00e9 pour communiquer de fa\u00e7on pratique, efficace et agr\u00e9able. Depuis lors, il embelli aussi musicalement et culturellement et ses origines en disent long.<\/p>\n

En effet, le talking drum encore appel\u00e9 \u201cGangan\u201d, est un instrument de percussion de la famille des membranophones originaire d\u2019Afrique de l\u2019Ouest. Consid\u00e9r\u00e9 comme l\u2019un des plus anciens instruments de percussion en Afrique de l\u2019Ouest, son histoire serait partie de l\u2019empire du Ghana (\u00c7a reste \u00e0 prouver). D\u2019aucuns parlent du Nig\u00e9ria, d\u2019autres du S\u00e9n\u00e9gal et certains, du B\u00e9nin. On sait dans tous les cas que le tambour parlant est africain. C\u2019\u00e9tait l\u2019instrument de travail des griots qui s\u2019en servaient pour d\u00e9livrer des messages, informer, sensibiliser et communiquer.<\/p>\n

Fabriqu\u00e9 \u00e0 partir de bois d\u2019arbres, de peaux d\u2019animaux et de cordes, il se pr\u00e9sente sous forme de sablier, assorti d\u2019un b\u00e2ton l\u00e9g\u00e8rement crochu au bout et dont le drummer se sert pour frapper sa surface et produire ainsi ces diff\u00e9rents tons qui emballent et emportent dans leur magie.<\/p>\n

Pour les artistes chanteurs b\u00e9ninois d\u2019hier et d\u2019aujourd\u2019hui qui ont compris l\u2019originalit\u00e9 du \u201cGangan\u201d, le dit instrument de percussion fait la particularit\u00e9 de leur musique et morceaux. Faisant cas de la jeune g\u00e9n\u00e9ration de chanteurs b\u00e9ninois, Ramou dans \u201cZiguiditata\u201d, Sessime dans \u201cGuiguo\u201d, Nikanor dans \u201cYinko tch\u00e9\u201d, Rapha\u00ebl Sheyi dans \u201cOkp\u00e8\u201d, la jeune Ayodele dans \u201cNdokp\u00e8 joyeux anniversaire\u201d et ses d\u00e9monstrations sc\u00e9niques, Anita Marcos dans \u201cAkp\u00e9\u201d (Vous m\u2019en direz tant), avec la complicit\u00e9 de l\u2019inspiration, y ont r\u00e9guli\u00e8rement recours. Et c\u2019est \u00e0 raison.<\/p>\n

Sous d\u2019autres appellations telles que tama, dumdum, kalangu, odondo, lunna, karangou ou kalangou, le \u201ctambour\u201d parlant fera encore et encore des merveilles. Il chantera, parlera, adoucira, bercera, contera, racontera sur des lustres et des lustres, fera de certains morceaux des chefs-d\u2019\u0153uvre incontestables et inoubliables. Bref\u2026Le talking drum bien qu\u2019il existe depuis de tr\u00e8s longues ann\u00e9es est aujourd\u2019hui plus vivant que jamais.<\/p>\n

Cr\u00e9dit image: Internet \/ la drummer nig\u00e9riane Aralola jouant du talking drum \u00e0 un festival \/ Un talking drum.<\/p>\n

Anita MARCOS.<\/p>\n

Pour plus d’informations et d’analyses sur la Togo<\/a>, suivez Africa-Press<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Africa-Press – Togo. De cette percussion accord\u00e9e comme avec un piano ou ajust\u00e9e comme les cordes d\u2019une guitare, les notes musicales qui s\u2019\u00e9chappent \u00e0 la partie (ci-dessous) en Yoruba, pourtant r\u00e9cit\u00e9 du morceau culte \u201cUpheaval\u201d de Nel Oliver, saisissent l\u2019attention et l\u2019oreille musicale. Elles r\u00e9sonnent dans une cadence enjou\u00e9e gr\u00e2ce \u00e0 cet instrument jalousement gard\u00e9 […]<\/p>\n","protected":false},"author":82,"featured_media":7650,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,11,10],"tags":[36,49,50],"class_list":["post-7651","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture-et-art","category-homepage-french","category-toutes-les-actualites","tag-africa-press","tag-africa-press-togo","tag-togo"],"yoast_head":"\n[Chronique] LE TALKING DRUM OU LE TAMBOUR PARLANT: DE L\u2019IDENTIT\u00c9 AFRICAINE \u00c0 LA COMMUNICATION M\u00c9LODIEUSE. - Togo<\/title>\n<meta name=\"description\" content=\"De cette percussion accord\u00e9e comme avec un piano ou ajust\u00e9e comme les cordes d\u2019une guitare, les notes musicales qui s\u2019\u00e9c ...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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