{"id":27429,"date":"2022-03-06T19:07:11","date_gmt":"2022-03-06T19:07:11","guid":{"rendered":"https:\/\/www.africa-press.net\/uganda\/?p=27429"},"modified":"2022-03-06T18:57:20","modified_gmt":"2022-03-06T18:57:20","slug":"earning-through-the-art-of-film-that-tells-the-stories-on-gulus-bitter-past","status":"publish","type":"post","link":"https:\/\/www.africa-press.net\/uganda\/all-news\/earning-through-the-art-of-film-that-tells-the-stories-on-gulus-bitter-past","title":{"rendered":"Earning through the art of film that tells the stories on Gulu\u2019s bitter past"},"content":{"rendered":"

Africa-Press – Uganda. <\/strong><\/span>While at university, there was a young lady who was mistreated by the landlord\u2019s wife.<\/p>\n

The lady was related to the landlord. In Daniel Komakech\u2019s mind was the urge to expose the experience of the young lady and her story became the premise upon which his inspiration to make film was born.<\/p>\n

Early life<\/b><\/p>\n

Komakech went to school, pleased his parent with a degree but deep down, his heart continued beating for something else, other than the business degree he had acquired. He has a strong urge to tell stories through film, which allows him to relay experiences people would relate with.<\/p>\n

His dream<\/b><\/p>\n

His dream has taken him in circles and opened doors that has allowed him and his crew to tell the story of a war-torn area. It is based on the Lord\u2019s Resistance Army (LRA) war against the Uganda People\u2019s Defence Forces (UPDF).<\/p>\n

Komakech was born in 1986, the year that ushered in the sitting government, and a month before the LRA launched an offensive attack on it. Today, he holds his camera, frames shots, and captures tales of those that experienced the attacks, first-hand, the girls who were raped and abused both in the bush by the rebels and in the shelters where they sought refuge from abduction when night fell, and rebels attacked.<\/p>\n

Where would an innocent 12-year-old girl find solace in times when the clouds of hope gave way to hopelessness? The guns have gone silent but the emotional experiences of the pain they caused, remain freshly engrained.<\/p>\n

Making money through film<\/b><\/p>\n

Komakech tells such stories and is glad to enlighten the present and future generation through film as a lasting documentation of actual events. Filmmaking is his source of livelihood.<\/p>\n

\u201cWe are a group of artists with different backgrounds such as photography, fashion, poetry, dance and film. We would work on different projects and showcase them at the TAKS Community Art Centre. With time, some grew and got jobs elsewhere. They still practice the arts but not as often as before,\u201d says Komakech. He is less creative and director of United Youth Entertainment (UYE) a Community Based Organisation (CBO) which conceptualised this as part of the youth\u2019s contribution to healing the wounds caused by the 20-year-old LRA war. The war devastated northern Uganda and Gulu in particular.<\/p>\n

They use motion pictures (film) and other forms of art such as photography, poetry and spoken word, music, and dance to highlight community\u2019s response to addressing major social and economic challenges that affect the youth and the society. For example the high prevalence of HIV\/Aids among young people, Gender-Based Violence (GBV), high unemployment rates, promotion of culture, awareness about mental health issues and substance abuse among others.<\/p>\n

His secret weapon<\/b><\/p>\n

He graduated from Gulu University where, he majored in finance. He says it has enabled him to learn how to make business sense out of his job as a filmmaker; \u201cNaturally, I know I have to make money out of this. If a client comes to me because of the track record, I make sure I quote for my services and make a living.\u201d His cash cow is documentary filmmaking.<\/p>\n

Daniel Komakech (left) and his film crew prepare a shoot.<\/p>\n

\u201cI have done documentaries for a number of Non-Government Organisations (NGOs) and that is where we have earned. Different clients have different budgets and needs. The goal is to do a good job and make a name,\u201d the film maker says.<\/p>\n

Employees<\/b><\/p>\n

He employs two people on contract- an administrator and an assistant. When the job requires more hands, for instance field production, the youth group hires them on freelance basis. Most of those are film students that he will have trained. Komakech tells stories from within his community because he is familiar with his home area.<\/p>\n

\u201cWhen you tell stories from the community, you speak people who have actual experiences and that makes it easy to tell it the right way. And in sharing the stories through film, more people get to connect through experiences,\u201d he says.<\/p>\n

His products<\/b><\/p>\n

He has produced more than 25 short stories and two feature films, and he has benefited from support from likeminded people and organisations, for example the Kuonyesha Art Fund through which he accessed a fund to shoot a movie titled, \u2018The Night Commuter\u2019.<\/p>\n

It is focused on children who leave their homes in the evening for fear of abduction from the LRA rebels, spend a night in Gulu town and then return to their homes at daybreak. He explains; \u201cSome of the girls would be abused and taken advantage of in the shelters that is what I focus on. So far, I have done the first two cuts and I am finalising on the sound and picture. My goal is to finish the film by the end of March because I want to submit it to the Uganda Film Festival (UFF),\u201d he shares.<\/p>\n

The other feature films are The Girl from Lamwo\u2019 whose story is anchored on his aunt\u2019s experience who comes from the village to town and is overwhelmed by what she finds, and then \u2018Let\u2019s do it\u2019 which is about the test of character between two friends who are faced with a challenge. Komakech chose to start making films at a time when the art had not caught on in Gulu, so he ended up taking on a lot, a \u2018one crew person\u2019, an experience that led him on a learning sojourn. \u201cI learnt how to write, edit, camerawork and producing,\u201d he says. He has narrowed down to producing because people will come from the community, Kampala and beyond with ideas that they need to put to life and that has become his forte.<\/p>\n

Film school<\/b><\/p>\n

With film and showcasing the art of motion picture, the 35-year-old envisions starting a film school. Now, the interest to learn film attracts students from neighbouring districts such as Kitgum. \u201cSome people call us from West Nile. The goal right now, with the training programme, is to set up a film school and then a studio alongside it. Those are two elements missing in the film sector in this region,\u201d says Komakech.<\/p>\n

To the policy makers in government, he is aware that less than 20 percent of them are implemented. But, if they were, it would ease the craft of making film.<\/p>\n

Film as business<\/p>\n

The need to sensitise parents and guardians about the importance of film as a business, art and a potential source of livelihood to youngsters, is important.<\/p>\n

He and fellow artists have led in the campaign though radio shows, to amplify the need to use film as a platform to tell stories and share experiences.<\/p>\n

And to you who is looking at cutting teeth as a filmmaker, be patient. \u201cIt will not happen in a day or two. Film is broad. You need to focus on something and learn how to do it well. It is important to know all the others too; writing, editing, producing and more,\u201d he says. He has mentored people into the art. \u201cPeople will come to me because of the small success I have had. Many think it took me a day, but I tell them that it is about sacrifice in terms of time, money and distance from family,\u201d he advises.<\/p>\n

\u201cAre filmmakers born or made? I ask. His response is it takes a bit of both or just one. \u201cIt starts with a personal decision to become a filmmaker then you can get training l. I got training but I also taught myself,\u201d he explains.<\/p>\n

Best moment<\/b><\/p>\n

The best advice anyone has given him was to stick at it, at doing film. When he started his journey, he had many artist friends from different art disciplines.<\/p>\n

With time, a few moved on to double the arts with day jobs. He stayed the course. As the circled narrowed, he started film production as a niche which was popular among many young people.<\/p>\n

No regrets<\/b><\/p>\n

Film training was done at the Gulu International Film Festival. 10 years later, Komakech has no regrets but is optimistic at achieving more.<\/p>\n

In his earlier career, Komakech was shooting, editing, and producing music videos. In 2009, he began his journey as a filmmaker. His baby steps started with him researching about how to write stories which he later learnt to turn into scripts. All that was on Google and YouTube tutorials. In 2011, there was a film and photography training opportunity organised by a group of creatives from Madrid, Spain called Hypo Heals who had partnered with a CBO called Youth Photography Outreach.<\/p>\n

The training was about writing, basics of camera use and building stories. It took place at Pece Stadium in Gulu City.<\/p>\n

For More News And Analysis About Uganda<\/a> Follow Africa-Press<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Africa-Press – Uganda. While at university, there was a young lady who was mistreated by the landlord\u2019s wife. The lady was related to the landlord. In Daniel Komakech\u2019s mind was the urge to expose the experience of the young lady and her story became the premise upon which his inspiration to make film was born. 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