Africa-Press – Eswatini. Eswatini continues to make bold strides in the creative arts scene, with the recent release of a powerful locally produced short film titled Sidlo Sekugcina (The Last Supper).
Premiering just in time for the Easter weekend—a global celebration of the death and resurrection of Jesus Christ—Sidlo Sekugcina reimagines the biblical Passover story in a SiSwati setting, blending Christian history with the deep cultural rhythms of Eswatini.
The film is a collaboration between Genesis Media and Tribe Studios, two production houses fast gaining recognition for putting Eswatini’s film industry on the map.
Set in a humble upper room during Jesus’ final evening with his disciples, the film explores themes of betrayal, humility, love and sacrifice. As the smell of roasted lamb and unleavened bread lingers, Jesus announces that one among them will betray him.
The tension builds, but so does the message of grace. In a stirring moment, Jesus washes the disciples’ feet—an act of servant leadership that carries heavy spiritual weight.
What makes this version stand out is not only the SiSwati language and setting, but the production’s commitment to authenticity and storytelling rooted in Swati tradition.
The film is intimate, emotionally stirring, and cinematic in quality, something that local audiences are not used to seeing in homegrown productions.
Behind this groundbreaking work is Tribe Studios, a game-changing production house led by the phenomenal businesswoman and producer Pholile Shakantu, a key figure in reshaping the local film scene.
Behind the scenes of the movie
Shakantu has been at the forefront of efforts to boost Eswatini’s film industry, investing in high-quality production equipment and nurturing local talent.
Last year, Tribe Studios premiered BakaNgwane, a cultural film that also celebrated Swati roots and heritage. It was a turning point for the industry, proving that Eswatini can produce content that competes with global standards.
Tribe Studios prides itself on the quality of production, because the stories they tell are in the Swati language, with emaSwati through their lens. It is a rebirth of the Swati film industry.
“The cast and crew of Sidlo Sekugcina were equally excited to be part of what many are calling a landmark project. Slotta Dlamini, one of the lead actors, said the experience was intense yet rewarding.
“Working under a tight deadline gives me a rush, I thrive under pressure,” he said. “My favourite part was watching the cast’s facial reactions. It made me laugh but also admired how expressive and talented everyone was. These kinds of projects are more than just acting gigs, they’re a chance to show the world what emaSwati are capable of.”
Floewe, a musician who composed the film’s score, echoed those sentiments.
“Thinking on your toes isn’t always stressful when you’re doing what you love,” she said. “Yes, the deadlines were tough, but it was a beautiful and historic moment. I’m honoured to be part of interpreting scripture in a uniquely Swati way.”
The cast of ‘Sidlo Sekugcina’: The Last Supper
She applauded the teamwork and professionalism on set and called for more opportunities like this to nurture Eswatini’s creative talents.
“A big thank you to Genesis Media and Tribe Studios for creating spaces where we can express our artistry,” she added.
As Eswatini’s film industry evolves, it is clear that stories like Sidlo Sekugcina are just the beginning. With pioneers like Pholile Shakantu leading the way, and platforms being created for local voices, the future of film in the kingdom looks bright and promising.
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